﻿1
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<b>Sunset Boulevard - Film Noir 1950 English</b>

2
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[ SIREN WAILING ]

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[ GILLIS ] Yes, this is Sunset Boulevard,
Los Angeles, California.

4
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It's about 5:00 in the morning.

5
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That's the homicide squad,

6
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complete with detectives
and newspapermen.

7
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A murder has been reported from
one of those great big houses

8
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in the 10,000 block.

9
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You'll read about it
in the late editions, I'm sure.

10
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You'll get it over your radio
and see it on television.

11
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Because an old-time star is involved.
One of the biggest.

12
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But before you hear it all distorted
and blown out of proportion,

13
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before those Hollywood columnists
get their hands on it,

14
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maybe you'd like to hear the facts.
The whole truth.

15
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If so, you've come to the right party.

16
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You see, the body of a young man was
found floating in the pool of her mansion

17
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with two shots in his back
and one in his stomach.

18
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Nobody important, really.

19
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Just a movie writer
with a couple of B pictures to his credit.

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The poor dope.
He always wanted a pool.

21
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Well, in the end, he got himself a pool,

22
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only the price
turned out to be a little high.

23
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Let's go back about six months
and find the day when it all started.

24
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I was living in an apartment house
above Franklin and Ivar.

25
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Things were tough at the moment.

26
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I hadn't worked in a studio
for a long time.

27
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So I sat there, grinding out
original stories, two a week.

28
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Only I seemed to have lost my touch.

29
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Maybe they weren't original enough.

30
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Maybe they were too original.

31
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All I know is, they didn't sell.

32
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[ BUZZER SOUNDING ]

33
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Yeah?

34
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- Joseph C. Gillis?
- That's right.

35
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We've come for the car.

36
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What car?

37
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1946 Plymouth convertible,
California license 40R-116.

38
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Where are the keys?

39
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Why should I give you the keys?

40
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Because the company's
played ball with you long enough,

41
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because you're three payments behind
and because we got a court order.

42
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Now, come on. The keys.

43
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Or do you want us to jack it up
and haul it away?

44
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- Relax, fans. The car isn't here.
- [ MAN 1 ] Oh, is that so?

45
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I loaned it to a friend of mine.
He took it down to Palm Springs.

46
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Had to get away for his health,
I suppose.

47
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If you don't believe me,
look in the garage.

48
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Sure, sure, we believe you.
Only now we want you to believe us.

49
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That car better be back here by noon
tomorrow or there's gonna be fireworks.

50
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You say the cutest things.

51
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[ GILLIS ] Well, I needed about $290,

52
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and I needed it real quick,
or I'd lose my car.

53
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It wasn't in Palm Springs,
and it wasn't in the garage.

54
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I was way ahead
of the finance company.

55
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I knew they'd be coming around,
and I wasn't taking any chances.

56
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So I kept it across the street

57
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in a parking lot
behind Rudy's Shoeshine Parlor.

58
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Rudy never asked any questions

59
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- about your finances.
- [ HONKING ]

60
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He'd just look at your heels
and know the score.

61
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I had an original story
kicking around Paramount.

62
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My agent told me
it was dead as a doornail.

63
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But I knew a big shot over there
who'd always liked me.

64
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And the time had come to take
a little advantage of it.

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His name was Sheldrake.

66
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He was a smart producer,
with a set of ulcers to prove it.

67
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All right, Gillis, you've got five minutes.
What's your story about?

68
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It's about a baseball player,
a rookie shortstop that's batting .347.

69
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Uh-huh.

70
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Poor kid was
once mixed up in a hold-up.

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- But he's trying to go straight.
- Uh-huh.

72
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Except there are a bunch of gamblers
that won't let him.

73
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So they tell the poor kid he's got to
throw the World Series or else, huh?

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More or less, except for the end.

75
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I've got a gimmick that's real good.

76
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Uh-huh. You got a title?

77
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Bases Loaded.
There's a 40-page outline.

78
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Call Readers' Department. Find out
what they have on Bases Loaded.

79
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They're pretty hot about it
over at Twentieth,

80
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except I think Zanuck's all wet.

81
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- Can you see Ty Power as a shortstop?
- Mmm.

82
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You've got the best man for it
right here on this lot. Alan Ladd.

83
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Be a good change of pace for Ladd.

84
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And there's another thing.
It's pretty simple to shoot.

85
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Lots of outdoor stuff.

86
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I bet you could make the whole thing
for under a million.

87
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[ BURPS ] Excuse me.

88
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And there's a great little part
for Bill Demarest,

89
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one of the trainers, an old-time player

90
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who got beaned,
goes out of his head sometimes.

91
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- Hello, Mr. Sheldrake.
- Hello.

92
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On that Bases Loaded,
I covered it with a two-page synopsis.

93
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- Thank you.
- But I wouldn't bother.

94
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- What's wrong with it?
- It's from hunger.

95
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Nothing for Ladd?

96
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It's just a rehash of something
that wasn't very good to begin with.

97
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I'm sure you'll be glad to meet Mr. Gillis.
He wrote it.

98
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This is Miss Kramer.

99
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The name is Schaefer. Betty Schaefer.

100
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Right now I wish I could crawl
in a hole and pull it in after me.

101
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And if I could be of any help...

102
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Oh, I'm sorry, Mr. Gillis, but I
just didn't think it was any good.

103
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I found it flat and trite.

104
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Exactly what kind of material
do you recommend?

105
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James Joyce? Dostoyevsky?

106
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I just think that pictures
should say a little something.

107
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Oh, one of the message kids.
Just a story won't do.

108
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You'd have turned down
Gone with the Wind.

109
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No, that was me. I said,
"Who wants to see a Civil War picture?"

110
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Perhaps the reason I hated
Bases Loaded is that I knew your name.

111
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I'd always heard
that you had some talent.

112
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That was last year.
This year I'm trying to earn a living.

113
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So you take plot 27-A,
make it glossy, make it slick...

114
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Uh-uh, uh-uh.
Those are dirty words.

115
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You sound like
a bunch of New York critics.

116
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- That'll be all, Miss Kramer... Schaefer.
- Goodbye, Mr. Gillis.

117
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Next time I'll write you
The Naked and the Dead.

118
00:07:31,740 --> 00:07:36,869
Well, it seems like Zanuck
has got himself a baseball picture.

119
00:07:36,950 --> 00:07:38,550
Mr. Sheldrake, I don't want you to think

120
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I thought this was going to win
any Academy Award.

121
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Of course, we're always
looking for a Betty Hutton.

122
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- Do you see it as a Betty Hutton?
- Frankly, no.

123
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Now wait a minute. If we made it a girls'
softball team, put in a few numbers.

124
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Might make a cute musical. It Happened
in the Bullpen: Story of a Woman.

125
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Are you trying to be funny?
Because I'm all out of laughs.

126
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- I'm over a barrel. I need a job.
- I haven't got a thing.

127
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Any kind of an assignment.
Additional dialogue.

128
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There's nothing. Honest.

129
00:08:11,030 --> 00:08:13,489
Look, Mr. Sheldrake.

130
00:08:13,570 --> 00:08:16,739
Could you let me have 300 bucks
yourself, as a personal loan?

131
00:08:16,830 --> 00:08:18,829
Could I? Gillis.

132
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Last year somebody talked me
into buying a ranch in the Valley.

133
00:08:24,330 --> 00:08:27,089
So I borrowed the money from
the bank to pay for the ranch.

134
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This year I had to mortgage the ranch
so I could keep up my life insurance,

135
00:08:30,420 --> 00:08:32,219
so I could borrow on my insurance...

136
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[ GILLIS ] After that
I drove down to headquarters.

137
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That's the way a lot of us
think about Schwab's drug store.

138
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Kind of a combination office,
kaffeeklatsch and waiting room.

139
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Waiting. Waiting for the gravy train.

140
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I got myself 10 nickels and started
sending out a general SOS.

141
00:08:57,030 --> 00:08:59,989
Couldn't get hold of my agent, naturally.

142
00:09:00,080 --> 00:09:03,499
So then I called a pal of mine,
Artie Green,

143
00:09:03,580 --> 00:09:06,499
an awful nice guy, an assistant director.

144
00:09:06,580 --> 00:09:09,549
He could let me have 20.
But 20 wouldn't do.

145
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Then I talked to
a couple of yes-men at Metro.

146
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To me they said no.

147
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Finally I located that agent of mine.
The big faker.

148
00:09:21,720 --> 00:09:24,479
Was he out digging up a job
for poor Joe Gillis?

149
00:09:24,560 --> 00:09:28,559
No. He was hard at work in Bel-Air,
making with the golf sticks.

150
00:09:32,990 --> 00:09:36,699
So you need $300.
Of course I could give you $300.

151
00:09:36,780 --> 00:09:39,239
- Only I'm not going to.
- No?

152
00:09:39,330 --> 00:09:43,409
Gillis, get this through your head.
I'm not just your agent. It's not the 10%.

153
00:09:43,500 --> 00:09:45,499
- I'm your friend.
- You are?

154
00:09:45,580 --> 00:09:47,340
Don't you know
the finest things in the world

155
00:09:47,420 --> 00:09:49,079
have been written
on an empty stomach?

156
00:09:49,170 --> 00:09:53,049
Once a talent like yours gets into that
Mocambo-Romanoff rut, you're through.

157
00:09:53,130 --> 00:09:55,469
Forget Romanoffs.
It's the car I'm talking about!

158
00:09:55,550 --> 00:09:57,550
If I lose my car,
it's like having my legs cut off.

159
00:09:57,590 --> 00:09:59,190
Greatest thing that could happen to you.

160
00:09:59,220 --> 00:10:02,639
Now you'll have to sit behind
the typewriter. Now you'll have to write.

161
00:10:02,720 --> 00:10:06,729
What do you think I've been doing?
I need $300.

162
00:10:06,810 --> 00:10:10,189
Sweetheart, maybe what you need
is another agent.

163
00:10:22,330 --> 00:10:26,409
[ GILLIS ] As I drove back towards town,
I took inventory of my prospects.

164
00:10:26,500 --> 00:10:29,459
They now added up to exactly zero.

165
00:10:29,540 --> 00:10:32,419
Apparently I just didn't have
what it takes.

166
00:10:32,500 --> 00:10:36,629
And the time had come to wrap up the
whole Hollywood deal and go home.

167
00:10:36,720 --> 00:10:38,129
Maybe if I hooked all my junk

168
00:10:38,220 --> 00:10:41,299
there 'd be enough
for a bus ticket back to Ohio.

169
00:10:41,390 --> 00:10:44,469
Back to that $35-a-week job
behind the copy desk

170
00:10:44,560 --> 00:10:48,479
at the Dayton Evening Post,
if it was still open.

171
00:10:48,560 --> 00:10:51,649
Back to the smirking delight
of the whole office.

172
00:10:51,730 --> 00:10:55,649
"All right, you wise guys. Why don't you
go out and take a crack at Hollywood?"

173
00:10:55,730 --> 00:10:58,399
"Maybe you think
that you could make..."

174
00:10:59,030 --> 00:11:00,069
Uh-oh!

175
00:11:40,200 --> 00:11:41,449
[ TIRE BURSTING ]

176
00:11:56,630 --> 00:11:59,919
I had landed myself
in the driveway of some big mansion

177
00:12:00,010 --> 00:12:02,889
that looked run-down and deserted.

178
00:12:02,970 --> 00:12:05,849
At the end of the drive
was a lovely sight indeed,

179
00:12:05,930 --> 00:12:11,139
a great big empty garage,
just standing there, going to waste.

180
00:12:11,230 --> 00:12:16,109
If ever there was a place to stash away
a limping car with a hot license number.

181
00:12:25,320 --> 00:12:28,119
There was another occupant
in that garage,

182
00:12:28,200 --> 00:12:31,409
an enormous, foreign-built auto-mobile.

183
00:12:31,500 --> 00:12:34,919
It must have burned up
ten gallons to a mile.

184
00:12:35,000 --> 00:12:38,089
It had a 1932 license.

185
00:12:38,170 --> 00:12:42,009
I figured that's when the owners
had moved out.

186
00:12:42,090 --> 00:12:44,719
And I also figured I couldn't
go back to my apartment

187
00:12:44,800 --> 00:12:47,509
now that those bloodhounds
were onto me.

188
00:12:47,600 --> 00:12:49,809
The idea was to get to Artie Green's
and stay there

189
00:12:49,890 --> 00:12:52,769
until I could make that bus for Ohio.

190
00:12:52,850 --> 00:12:56,439
Once back in Dayton, I'd drop the
credit boys a picture postcard,

191
00:12:56,520 --> 00:12:59,359
telling them where to pick up the jalopy.

192
00:13:02,150 --> 00:13:05,609
It was a great big white elephant
of a place.

193
00:13:05,700 --> 00:13:09,449
The kind crazy movie people
built in the crazy '20s.

194
00:13:09,540 --> 00:13:13,159
A neglected house
gets an unhappy look.

195
00:13:13,250 --> 00:13:15,829
This one had it in spades.

196
00:13:15,920 --> 00:13:19,419
It was like that old woman
in Great Expectations,

197
00:13:19,500 --> 00:13:23,919
that Miss Havisham in her rotting
wedding dress and her torn veil,

198
00:13:24,010 --> 00:13:27,889
taking it out on the world
because she'd been given the go-by.

199
00:13:34,140 --> 00:13:36,849
[ NORMA ] You there!
Why are you so late?

200
00:13:38,810 --> 00:13:41,569
Why have you kept me waiting so long?

201
00:13:45,240 --> 00:13:46,739
[ DOOR OPENS ]

202
00:13:51,740 --> 00:13:53,079
In here.

203
00:14:00,250 --> 00:14:03,089
I just put my car in the garage.
I had a blow-out. I thought maybe...

204
00:14:03,170 --> 00:14:04,629
Go on in.

205
00:14:04,720 --> 00:14:06,969
Look, maybe I'd better take my car
and get it off...

206
00:14:07,050 --> 00:14:08,589
Wipe your feet.

207
00:14:12,060 --> 00:14:13,269
Go on.

208
00:14:18,100 --> 00:14:21,359
You're not properly dressed
for the occasion.

209
00:14:21,440 --> 00:14:25,649
- What's the occasion?
- [ NORMA ] Have him come up, Max.

210
00:14:25,740 --> 00:14:27,319
Up the stairs.

211
00:14:27,529 --> 00:14:29,209
Suppose you listen to me
for just a minute.

212
00:14:29,230 --> 00:14:31,819
- Madame is waiting.
- For me?

213
00:14:33,950 --> 00:14:35,119
Okay.

214
00:14:42,590 --> 00:14:45,629
If you need any help
with the coffin, call me.

215
00:15:05,150 --> 00:15:06,489
[ NORMA ] This way.

216
00:15:13,330 --> 00:15:15,449
In here.

217
00:15:15,540 --> 00:15:18,579
I put him on my massage table
in front of the fire.

218
00:15:18,660 --> 00:15:22,129
He always liked fires
and poking at them with a stick.

219
00:15:28,170 --> 00:15:30,719
I've made up my mind
we'll bury him in the garden.

220
00:15:30,800 --> 00:15:33,429
Any city laws against that?

221
00:15:33,510 --> 00:15:35,759
- I wouldn't know.
- I don't care anyway.

222
00:15:35,850 --> 00:15:40,059
I want the coffin to be white,
and I want it specially lined with satin.

223
00:15:40,140 --> 00:15:42,269
White or deep pink.

224
00:15:45,860 --> 00:15:49,739
Maybe red. Bright, flaming red.
Let's make it gay.

225
00:15:59,330 --> 00:16:00,959
How much will it be?

226
00:16:01,040 --> 00:16:05,629
I warn you, don't give me a fancy price
just because I'm rich!

227
00:16:05,710 --> 00:16:10,469
Lady, you got the wrong man. I had
some trouble with my car. A flat tire.

228
00:16:10,550 --> 00:16:13,839
I pulled into your garage
until I could get a spare.

229
00:16:13,930 --> 00:16:19,139
- I thought this was an empty house.
- It is not. Get out.

230
00:16:19,220 --> 00:16:22,729
I'm sorry.
And I'm sorry you lost your friend.

231
00:16:22,810 --> 00:16:26,319
And I don't think red is the right colour.

232
00:16:26,400 --> 00:16:29,479
Wait a minute. Haven't I seen you
before? I know your face.

233
00:16:29,570 --> 00:16:33,819
- Get out. Or shall I call my servant?
- You're Norma Desmond!

234
00:16:33,910 --> 00:16:37,699
You used to be in silent pictures.
You used to be big!

235
00:16:37,780 --> 00:16:42,249
I am big. It's the pictures that got small.

236
00:16:43,080 --> 00:16:44,289
Uh-huh.

237
00:16:44,750 --> 00:16:46,669
I knew there was something
wrong with them.

238
00:16:46,750 --> 00:16:49,169
They're dead. They're finished.

239
00:16:49,250 --> 00:16:50,570
There was a time in this business

240
00:16:50,600 --> 00:16:53,339
when they had the eyes
of the whole wide world.

241
00:16:53,430 --> 00:16:56,009
But that wasn't good enough for them.
Oh, no!

242
00:16:56,090 --> 00:16:58,179
They had to have the ears
of the world, too.

243
00:16:58,260 --> 00:17:03,519
So they opened their big mouths
and out came talk, talk, talk.

244
00:17:03,600 --> 00:17:05,280
That's where
the popcorn business comes in.

245
00:17:05,310 --> 00:17:07,689
You buy yourself a bag
and plug up your ears.

246
00:17:07,770 --> 00:17:11,359
Look at them in the front offices,
the masterminds!

247
00:17:11,440 --> 00:17:13,609
They took the idols and smashed them.

248
00:17:13,700 --> 00:17:16,449
The Fairbankses, the Gilberts,
the Valentinos!

249
00:17:16,530 --> 00:17:19,279
And who have we got now?
Some nobodies!

250
00:17:19,370 --> 00:17:22,869
Don't blame me.
I'm not an executive, just a writer.

251
00:17:22,960 --> 00:17:26,629
You are.
Writing words, words, more words!

252
00:17:26,710 --> 00:17:29,499
Well, you've made a rope of words
and strangled this business!

253
00:17:29,590 --> 00:17:32,379
But there's a microphone right there
to catch the last gurgles,

254
00:17:32,460 --> 00:17:35,469
and Technicolor to photograph
the red, swollen tongue!

255
00:17:36,590 --> 00:17:39,429
- You'll wake up the monkey.
- Get out! Max!

256
00:17:40,810 --> 00:17:43,389
Next time I'll bring
my autograph album along.

257
00:17:43,480 --> 00:17:46,939
Or maybe a hunk of cement,
and ask for your footprint.

258
00:17:50,820 --> 00:17:54,899
- It's okay. Okay, I'm going.
- Just a minute, you.

259
00:17:54,990 --> 00:17:57,569
- You're a writer, you said.
- [ GILLIS ] Why?

260
00:17:57,660 --> 00:17:59,829
Are you or aren't you?

261
00:17:59,910 --> 00:18:01,869
That's what it says on my Guild card.

262
00:18:01,950 --> 00:18:05,619
And you have written pictures,
haven't you?

263
00:18:05,710 --> 00:18:08,579
Sure have. Want a list of my credits?

264
00:18:08,670 --> 00:18:11,589
I want to ask you something.
Come in here.

265
00:18:11,670 --> 00:18:14,419
Last one I wrote was about Okies
in the Dust Bowl.

266
00:18:14,509 --> 00:18:16,709
You'd never know it, because
when it reached the screen,

267
00:18:16,730 --> 00:18:19,479
the whole thing played
on a torpedo boat.

268
00:18:21,010 --> 00:18:23,179
[ ORGAN PLAYING ]

269
00:18:28,270 --> 00:18:29,689
Intimate, isn't it?

270
00:18:32,860 --> 00:18:36,359
The wind gets in that blasted pipe
organ. I ought to have it taken out.

271
00:18:36,450 --> 00:18:38,779
Or teach it a better tune.

272
00:18:38,860 --> 00:18:41,119
Young man, tell me something.

273
00:18:41,200 --> 00:18:45,119
How long is a movie script these days?
I mean, how many pages?

274
00:18:45,200 --> 00:18:47,789
Depends on what it is,
a Donald Duck or a Joan of Arc.

275
00:18:47,870 --> 00:18:53,169
This is to be a very important picture.
I've written it myself. Took me years.

276
00:18:53,250 --> 00:18:55,419
Looks like enough
for six important pictures.

277
00:18:55,510 --> 00:18:58,799
It's a story of Salome.
I think I'll have DeMille direct it.

278
00:18:58,880 --> 00:19:01,299
DeMille? Uh-huh.

279
00:19:01,390 --> 00:19:04,969
- We made a lot of pictures together.
- And you'll play Salome.

280
00:19:06,680 --> 00:19:08,519
Who else?

281
00:19:08,600 --> 00:19:11,059
Only asking. I didn't know
you were planning a comeback.

282
00:19:11,150 --> 00:19:14,109
I hate that word! It's a return!

283
00:19:14,190 --> 00:19:15,819
A return to the millions of people

284
00:19:15,900 --> 00:19:18,819
who have never forgiven me
for deserting the screen.

285
00:19:18,900 --> 00:19:24,529
- Fair enough.
- Salome. What a woman. What a part!

286
00:19:24,620 --> 00:19:26,949
The princess in love with a holy man.

287
00:19:27,040 --> 00:19:29,119
She dances
the dance of the seven veils.

288
00:19:29,210 --> 00:19:33,089
He rejects her, so she demands
his head on a golden tray.

289
00:19:33,170 --> 00:19:37,299
Kissing his cold, dead lips.

290
00:19:37,380 --> 00:19:41,009
- They'll love it in Pomona.
- They'll love it every place.

291
00:19:41,090 --> 00:19:43,719
Read it. Read the scene
just before she has him killed.

292
00:19:43,800 --> 00:19:46,200
Never let another writer read
your material. He may steal it.

293
00:19:46,260 --> 00:19:49,769
I'm not afraid. Read it.
Max, bring something to drink.

294
00:19:51,270 --> 00:19:54,899
- Sit down. Ls there enough light?
- I've got 20-20 vision.

295
00:19:56,360 --> 00:19:57,979
I said sit down.

296
00:20:02,200 --> 00:20:05,029
[ GILLIS ] Well,
I had no pressing engagement,

297
00:20:05,120 --> 00:20:08,159
except with those boys
from the finance office.

298
00:20:08,250 --> 00:20:11,369
And she'd mentioned
something to drink. Why not?

299
00:20:12,960 --> 00:20:18,419
Sometimes it's interesting to see
just how bad, bad writing can be.

300
00:20:18,510 --> 00:20:21,429
This promised to go the limit.

301
00:20:21,510 --> 00:20:23,389
I wondered what a handwriting expert

302
00:20:23,470 --> 00:20:26,299
would make of that
childish scrawl of hers.

303
00:20:28,680 --> 00:20:32,389
Max wheeled in some champagne
and some caviare.

304
00:20:32,480 --> 00:20:37,939
Later I found out that Max was the only
other person in that grim Sunset castle.

305
00:20:38,020 --> 00:20:41,489
And I found out
a few other things about him.

306
00:20:41,570 --> 00:20:45,569
As for her, she sat
coiled up like a watch spring,

307
00:20:45,660 --> 00:20:48,579
her cigarette clamped
in a curious holder.

308
00:20:48,660 --> 00:20:51,909
I could sense her eyes on me
from behind those dark glasses,

309
00:20:52,000 --> 00:20:54,959
defying me not to like what I read.

310
00:20:55,040 --> 00:20:59,249
Or maybe begging me
in her own proud way to like it.

311
00:20:59,340 --> 00:21:01,339
It meant so much to her.

312
00:21:08,180 --> 00:21:13,729
It sure was a cosy setup,
that bundle of raw nerves and Max

313
00:21:13,810 --> 00:21:15,979
- and a dead monkey upstairs.
- [ ORGAN PLAYING ]

314
00:21:16,060 --> 00:21:19,649
And the wind wheezing through
that organ once in a while.

315
00:21:19,730 --> 00:21:21,359
[ DOORBELL RINGS ]

316
00:21:27,280 --> 00:21:33,079
Later on, just for comedy relief,
the real guy arrived with the baby coffin.

317
00:21:34,830 --> 00:21:38,499
It was all done with great dignity.

318
00:21:38,590 --> 00:21:41,799
He must have been
a very important chimp.

319
00:21:41,880 --> 00:21:44,669
The great-grandson
of King Kong, maybe.

320
00:21:48,300 --> 00:21:50,639
It got to be 11:00.

321
00:21:50,720 --> 00:21:53,179
I was feeling a little sick at my stomach,

322
00:21:53,270 --> 00:21:57,479
what with that sweet champagne
and that tripe I'd been reading,

323
00:21:57,560 --> 00:22:02,029
that silly hodgepodge
of melodramatic plots.

324
00:22:02,110 --> 00:22:07,409
However, by then, I'd started
concocting a little plot of my own.

325
00:22:08,700 --> 00:22:11,329
Well?

326
00:22:11,410 --> 00:22:14,249
- This is fascinating.
- Of course it is.

327
00:22:16,919 --> 00:22:19,279
Maybe it's a little long and maybe
there's some repetitions,

328
00:22:19,300 --> 00:22:21,999
but you're not a professional writer.

329
00:22:22,090 --> 00:22:27,339
- I wrote that with my heart.
- Sure you did.

330
00:22:27,430 --> 00:22:29,589
That's what makes it great.

331
00:22:31,100 --> 00:22:35,139
What it needs is
maybe a little more dialog.

332
00:22:35,230 --> 00:22:37,889
What for?
I can say anything I want with my eyes.

333
00:22:37,979 --> 00:22:40,499
Well, it certainly could use
a pair of shears and a blue pencil.

334
00:22:40,520 --> 00:22:42,859
I will not have it butchered.

335
00:22:42,940 --> 00:22:46,819
Of course not,
but it ought to be organized.

336
00:22:46,900 --> 00:22:49,159
Just an editing job.
You can find somebody.

337
00:22:49,240 --> 00:22:53,199
Who?
I'd have to have somebody I could trust.

338
00:22:53,290 --> 00:22:56,119
When were you born?
I mean, what sign of the zodiac?

339
00:22:56,200 --> 00:22:59,369
- I don't know.
- What month?

340
00:22:59,460 --> 00:23:01,379
December 21.

341
00:23:01,460 --> 00:23:05,919
Sagittarius. I like Sagittarians.
You can trust them.

342
00:23:06,010 --> 00:23:09,179
- Thank you.
- I want you to do this work.

343
00:23:09,260 --> 00:23:11,339
Me?

344
00:23:11,430 --> 00:23:15,309
I'm busy. I just finished a script,
and I'm due on another assignment.

345
00:23:15,390 --> 00:23:18,179
I don't care.

346
00:23:18,270 --> 00:23:22,609
You know, I'm pretty expensive.
I get 500 a week.

347
00:23:22,690 --> 00:23:27,239
I wouldn't worry about money.
I'll make it worth your while.

348
00:23:27,319 --> 00:23:29,759
Maybe I'd better take the rest
of the script home and read it.

349
00:23:29,780 --> 00:23:33,159
Oh, no! I couldn't let it out of my house.
You'll have to finish it here.

350
00:23:33,240 --> 00:23:35,409
Well, it's getting kind of late.

351
00:23:36,660 --> 00:23:39,869
- Are you married, Mr...
- Name is Gillis. Single.

352
00:23:39,960 --> 00:23:43,419
- Where do you live?
- Hollywood. Alto Nido Apartments.

353
00:23:43,500 --> 00:23:45,459
There's something wrong
with your car, you said.

354
00:23:45,550 --> 00:23:47,669
There sure is.

355
00:23:47,760 --> 00:23:51,429
- Why shouldn't you stay here?
- Look, I'll come back early tomorrow.

356
00:23:51,510 --> 00:23:55,099
Nonsense.
There's a room over the garage.

357
00:23:55,180 --> 00:23:57,679
Max will take you there. Max!

358
00:24:02,520 --> 00:24:06,819
[ GILLIS ] I felt kind of pleased
with the way I'd handled the situation.

359
00:24:06,900 --> 00:24:10,239
I dropped the hook
and she snapped at it.

360
00:24:10,320 --> 00:24:15,489
Now my car would be safe down below
while I did a patch-up job on the script.

361
00:24:15,580 --> 00:24:18,409
And there should be
plenty of money in it.

362
00:24:23,420 --> 00:24:26,459
This room hasn't
been used for a long time.

363
00:24:26,540 --> 00:24:30,049
It'll never make House Beautiful,
but I guess it's okay for one night.

364
00:24:30,130 --> 00:24:32,049
I made your bed this afternoon.

365
00:24:32,130 --> 00:24:36,549
Thanks. How did you know I was
gonna stay this afternoon?

366
00:24:36,640 --> 00:24:41,019
The bathroom's over there. I put in
some towels, soap and a toothbrush.

367
00:24:45,110 --> 00:24:49,439
Say, she's quite a character,
that Norma Desmond.

368
00:24:49,530 --> 00:24:53,569
She was the greatest of them all.
You wouldn't know. You're too young.

369
00:24:53,660 --> 00:24:57,199
In one week she received
17,000 fan letters.

370
00:24:57,280 --> 00:25:00,869
Men bribed her hairdresser
to get a lock of her hair.

371
00:25:00,950 --> 00:25:03,369
There was a maharajah
who came all the way from India

372
00:25:03,460 --> 00:25:07,749
to beg one of her silk stockings.
Later he strangled himself with it.

373
00:25:09,750 --> 00:25:13,299
Well, I sure turned in
to an interesting driveway.

374
00:25:13,380 --> 00:25:16,179
You did, sir. Good night, sir.

375
00:25:22,270 --> 00:25:26,229
[ GILLIS ] I pegged him
as slightly cuckoo, too.

376
00:25:26,310 --> 00:25:29,019
A stroke, maybe.

377
00:25:29,110 --> 00:25:32,569
Come to think of it, the whole
place seemed to have been stricken

378
00:25:32,650 --> 00:25:38,239
with a kind of creeping paralysis,
out of beat with the rest of the world,

379
00:25:38,320 --> 00:25:41,579
crumbling apart in slow motion.

380
00:25:41,660 --> 00:25:46,749
There was a tennis court,
or rather the ghost of a tennis court,

381
00:25:46,830 --> 00:25:49,499
with faded markings and a sagging net.

382
00:25:54,340 --> 00:25:58,929
And, of course, she had a pool.
Who didn't then?

383
00:25:59,010 --> 00:26:04,559
Mabel Normand and John Gilbert must
have swum in it 10,000 midnights ago.

384
00:26:04,640 --> 00:26:08,559
And Vilma Banky and Rod La Rocque.

385
00:26:08,650 --> 00:26:11,729
It was empty now. Or was it?

386
00:26:12,820 --> 00:26:14,489
[ SQUEAKING ]

387
00:26:18,780 --> 00:26:21,489
There was something else
going on below.

388
00:26:22,490 --> 00:26:28,369
The last rites for that hairy old chimp,
performed with the utmost seriousness.

389
00:26:29,670 --> 00:26:32,589
As if she were
laying to rest an only child.

390
00:26:34,510 --> 00:26:37,179
Was her life really as empty as that?

391
00:26:46,980 --> 00:26:52,069
It was all very queer.
But queerer things were yet to come.

392
00:26:57,030 --> 00:26:58,659
[ ORGAN PLAYING ]

393
00:27:00,570 --> 00:27:03,579
That night I had a mixed-up dream.

394
00:27:03,660 --> 00:27:06,329
In it, there was an organ grinder.

395
00:27:06,410 --> 00:27:10,419
I couldn't see his face,
but the organ was all draped in black,

396
00:27:10,500 --> 00:27:14,299
and a chimp was dancing for pennies.

397
00:27:14,380 --> 00:27:18,799
When I opened my eyes,
the music was still there.

398
00:27:18,880 --> 00:27:20,339
Where was I?

399
00:27:22,550 --> 00:27:26,099
Oh, yes.
In that empty room over her garage.

400
00:27:27,770 --> 00:27:32,229
Only it wasn't empty any more.
I'd had a visitor.

401
00:27:33,650 --> 00:27:35,319
Somebody had brought in
all my belongings.

402
00:27:35,400 --> 00:27:38,069
My books, my typewriter, my clothes.

403
00:27:40,110 --> 00:27:41,819
What was going on?

404
00:28:00,550 --> 00:28:05,889
Hey, you! Max, whatever your name is,
what are my things doing here?

405
00:28:05,970 --> 00:28:10,309
I'm talking to you! My clothes
and things are up in the room!

406
00:28:10,390 --> 00:28:16,399
- Naturally. I brought them myself.
- Is that so?

407
00:28:16,480 --> 00:28:19,489
Why, what's the matter?
Is there anything missing?

408
00:28:19,570 --> 00:28:21,239
Who said you could?
Who asked you to?

409
00:28:21,320 --> 00:28:25,739
I did. I don't know why
you should be so upset.

410
00:28:25,830 --> 00:28:27,539
Stop that playing, Max.

411
00:28:27,620 --> 00:28:31,119
It seemed like a good idea
if we are to work together.

412
00:28:32,580 --> 00:28:34,669
Look, I'm supposed to fix up your script.

413
00:28:34,750 --> 00:28:36,710
There's nothing in the deal
about my staying here!

414
00:28:36,790 --> 00:28:38,049
You'll like it here.

415
00:28:38,129 --> 00:28:40,209
Thanks for the invitation.
I've got my own apartment.

416
00:28:40,230 --> 00:28:42,759
You can't work in an apartment
where you owe three months' rent.

417
00:28:42,840 --> 00:28:46,799
- I'll take care of that.
- It's all taken care of, it's all paid for.

418
00:28:49,270 --> 00:28:52,139
Okay, we'll deduct it from my salary.

419
00:28:52,230 --> 00:28:56,399
Now, now, don't let's be small about
such matters. We won't keep books.

420
00:28:56,480 --> 00:29:01,399
- Max, unpack Mr. Gillis' things.
- It is done, Madame.

421
00:29:01,490 --> 00:29:03,909
Well, pack them up again!
I didn't say I was staying!

422
00:29:03,990 --> 00:29:08,029
Suppose you make up your mind.
Do you want this job or don't you?

423
00:29:11,290 --> 00:29:13,079
[ GILLIS ] Yes, I wanted the job.

424
00:29:13,160 --> 00:29:16,789
I wanted the dough, and I wanted
to get out of there as quickly as I could.

425
00:29:17,170 --> 00:29:21,509
I thought If I really got going,
I could finish it up in a couple of weeks.

426
00:29:21,590 --> 00:29:23,879
But it wasn't so simple
getting some coherence

427
00:29:23,970 --> 00:29:26,969
into those wild hallucinations of hers.

428
00:29:27,050 --> 00:29:30,809
And what made it even tougher was
that she was around all the time,

429
00:29:30,890 --> 00:29:35,939
hovering over me, afraid I'd do injury
to that precious brainchild of hers.

430
00:29:42,650 --> 00:29:46,569
- What's that?
- Just a scene I threw out.

431
00:29:46,660 --> 00:29:48,029
Which scene?

432
00:29:48,120 --> 00:29:49,720
The one where you go
to the slave market.

433
00:29:49,799 --> 00:29:51,759
It's better to cut directly
to John the Baptist...

434
00:29:51,780 --> 00:29:53,869
Cut away from me?

435
00:29:53,959 --> 00:29:56,959
Honestly, it's a little too much of you.
They don't want you in every scene.

436
00:29:56,980 --> 00:30:00,039
They don't? Then why do they still
write me fan letters every day?

437
00:30:00,130 --> 00:30:01,629
Why do they beg me
for my photographs?

438
00:30:01,710 --> 00:30:06,879
Why? Because they want to see me.
Me! Norma Desmond.

439
00:30:06,970 --> 00:30:09,719
- Put it back.
- Okay.

440
00:30:24,610 --> 00:30:26,609
[ GILLIS ] I didn't argue with her.

441
00:30:26,700 --> 00:30:31,239
You don't yell at a sleepwalker.
He may fall and break his neck.

442
00:30:31,330 --> 00:30:32,659
That's it.

443
00:30:32,740 --> 00:30:36,659
She was still sleepwalking along
the giddy heights of a lost career.

444
00:30:36,750 --> 00:30:41,669
Plain crazy when it came to that
one subject, her celluloid self,

445
00:30:41,750 --> 00:30:44,209
the great Norma Desmond.

446
00:30:44,300 --> 00:30:47,969
How could she breathe in that house
so crowded with Norma Desmonds,

447
00:30:49,140 --> 00:30:50,929
more Norma Desmonds

448
00:30:52,100 --> 00:30:54,429
and still more Norma Desmonds?

449
00:30:56,850 --> 00:30:59,229
It wasn't all work, of course.

450
00:30:59,310 --> 00:31:02,979
Two or three times a week, Max would
haul up that enormous oil painting

451
00:31:03,070 --> 00:31:06,989
that had been presented to her by
some Nevada Chamber of Commerce

452
00:31:07,070 --> 00:31:11,029
and we'd see a movie,
right in her living room.

453
00:31:11,120 --> 00:31:14,659
So much nicer than going out,
she'd say.

454
00:31:14,740 --> 00:31:19,169
The plain fact was she was afraid
of that world outside.

455
00:31:19,250 --> 00:31:22,339
Afraid it would remind her
that time had passed.

456
00:31:24,340 --> 00:31:29,049
They were silent movies, and Max
would run the projection machine,

457
00:31:29,130 --> 00:31:31,219
which was just as well.

458
00:31:31,300 --> 00:31:33,099
It kept him from
giving us an accompaniment

459
00:31:33,180 --> 00:31:35,139
on that wheezing organ.

460
00:31:37,430 --> 00:31:39,559
She'd sit very close to me

461
00:31:39,640 --> 00:31:42,979
and she smelled of tuberoses,
which is not my favourite perfume,

462
00:31:43,060 --> 00:31:45,359
not by a long shot.

463
00:31:45,440 --> 00:31:49,649
Sometimes as we watched,
she'd clutch my arm or my hand,

464
00:31:49,740 --> 00:31:51,949
forgetting she was my employer.

465
00:31:52,030 --> 00:31:56,409
Just becoming a fan, excited about
that actress up there on the screen.

466
00:31:58,830 --> 00:32:02,419
I guess I don't have to tell you
who the star was.

467
00:32:02,500 --> 00:32:06,919
They were always her pictures.
That's all she wanted to see.

468
00:32:08,210 --> 00:32:10,339
[ INAUDIBLE ]

469
00:32:33,490 --> 00:32:38,619
Still wonderful, isn't it? And no dialogue.

470
00:32:38,700 --> 00:32:41,329
We didn't need dialogue. We had faces.

471
00:32:42,960 --> 00:32:46,089
There just aren't any faces
like that any more.

472
00:32:46,170 --> 00:32:48,379
Maybe one, Garbo.

473
00:32:50,260 --> 00:32:54,219
Oh, those idiot producers.
Those imbeciles.

474
00:32:54,300 --> 00:32:57,389
Haven't they got any eyes? Have they
forgotten what a star looks like?

475
00:32:57,470 --> 00:33:00,769
I'll show them.
I'll be up there again, so help me!

476
00:33:11,240 --> 00:33:14,239
[ GILLIS ] Sometimes there'd be
a little bridge game in the house,

477
00:33:14,320 --> 00:33:16,659
at a twentieth of a cent a point.

478
00:33:16,740 --> 00:33:18,829
I'd get half of her winnings

479
00:33:18,910 --> 00:33:21,199
once they ran up to 70 cents,

480
00:33:21,290 --> 00:33:24,669
which was about
the only cash money I ever got.

481
00:33:24,750 --> 00:33:27,749
The others around the table
would be actor friends.

482
00:33:27,840 --> 00:33:31,669
Dim figures you may still remember
from the silent days.

483
00:33:31,760 --> 00:33:34,509
I used to think of them
as her waxworks.

484
00:33:34,590 --> 00:33:36,969
- One diamond.
- One heart.

485
00:33:39,930 --> 00:33:42,309
- Spade.
- Pass.

486
00:33:43,730 --> 00:33:45,599
[ NORMA ] Three no-trump.
ANN: Pass.

487
00:33:47,100 --> 00:33:48,439
Pass.

488
00:33:48,520 --> 00:33:51,279
Empty the ashtray, will you, Joe, dear?

489
00:34:02,120 --> 00:34:03,619
[ INAUDIBLE ]

490
00:34:19,390 --> 00:34:20,509
There are some men outside,

491
00:34:20,559 --> 00:34:21,999
- they asked for you.
- I'm not here.

492
00:34:22,020 --> 00:34:23,929
- That's what I told them.
- Good.

493
00:34:24,020 --> 00:34:28,439
But they found your car in the garage,
and they're going to tow it away.

494
00:34:28,520 --> 00:34:31,859
Where's the ashtray?
Joe, can't we have the ashtray?

495
00:34:39,820 --> 00:34:41,780
[ WHISPERING ] I want to
talk to you for a minute.

496
00:34:41,804 --> 00:34:43,659
Not now, my dear.
I'm playing three no-trump.

497
00:34:43,740 --> 00:34:45,409
They've come for my car.

498
00:34:45,500 --> 00:34:48,829
Please. Now I've forgotten
how many spades are out.

499
00:34:48,920 --> 00:34:52,419
- Look, I need some money right now.
- Can't you wait until I'm dummy?

500
00:34:52,500 --> 00:34:55,259
- No.
- Please.

501
00:35:30,000 --> 00:35:33,919
- Now what is it? Where's the fire?
- I've lost my car.

502
00:35:34,000 --> 00:35:36,459
Oh! And I thought it was
a matter of life and death.

503
00:35:36,550 --> 00:35:39,379
It is, to me.
That's why I came to this house.

504
00:35:39,470 --> 00:35:41,799
That's why I took this job ghost-writing.

505
00:35:41,890 --> 00:35:45,599
Now you're being silly.
We don't need two cars. We have a car.

506
00:35:45,680 --> 00:35:48,979
Not one of those cheap new things
made of chromium and spit.

507
00:35:49,060 --> 00:35:53,189
An lsotta-Fraschini. Have you
ever heard of lsotta-Fraschini?

508
00:35:53,270 --> 00:35:56,729
All handmade. Cost me $28,000.

509
00:35:59,900 --> 00:36:03,819
[ GILLIS ] So Max got that old bus
down off its blocks and polished it up.

510
00:36:04,910 --> 00:36:07,749
She'd take me for rides
in the hills above Sunset.

511
00:36:09,250 --> 00:36:12,289
The whole thing was upholstered
in leopard skin

512
00:36:12,380 --> 00:36:16,379
and had one of those car phones,
all gold-plated.

513
00:36:18,550 --> 00:36:22,049
- That's a dreadful shirt you're wearing.
- What's wrong with it?

514
00:36:22,130 --> 00:36:23,889
Nothing, if you work in
the filling station.

515
00:36:23,930 --> 00:36:28,429
And I'm getting rather bored with that
sport jacket and the same baggy pants.

516
00:36:30,310 --> 00:36:35,019
Max, what's a good men's shop in town?
The very best? Well, go there.

517
00:36:35,110 --> 00:36:38,279
I don't need any clothes, and I certainly
don't want you buying them for me.

518
00:36:38,360 --> 00:36:42,989
Why begrudge me a little fun?
I just want you to look nice.

519
00:36:43,070 --> 00:36:44,949
And must you chew gum?

520
00:36:51,790 --> 00:36:55,169
Now there's nothing like
blue flannel for a man.

521
00:36:55,250 --> 00:36:57,249
Now this one,
single-breasted, of course.

522
00:36:57,340 --> 00:37:00,879
Now we need a topcoat. Let me see
what you have in camel's hair.

523
00:37:01,130 --> 00:37:03,929
- How about some evening clothes?
- I don't need a tuxedo.

524
00:37:04,010 --> 00:37:06,719
Of course you do. A tuxedo and tails,
and if you aren't careful,

525
00:37:06,800 --> 00:37:08,889
you'll get a cutaway.

526
00:37:08,970 --> 00:37:10,389
Tails! That's ridiculous.

527
00:37:10,470 --> 00:37:12,830
You need them for parties.
You need them for New Year's Eve.

528
00:37:12,860 --> 00:37:16,149
- Where are your evening clothes?
- This way, Madame.

529
00:37:19,690 --> 00:37:22,529
Here are some camel's hair,
but I'd like you just to feel this.

530
00:37:22,610 --> 00:37:25,069
It's vicuna.
Of course, it's a little more expensive.

531
00:37:25,160 --> 00:37:27,199
The camel's hair will do.

532
00:37:29,330 --> 00:37:33,499
Well, as long as the lady's paying for it,
why not take the vicuna?

533
00:37:43,920 --> 00:37:47,339
[ GILLIS ] The last week in December,
the rains came.

534
00:37:47,430 --> 00:37:50,059
A great big package of rain,

535
00:37:50,140 --> 00:37:54,269
oversized, like everything else
in California.

536
00:37:54,350 --> 00:37:58,309
It came right through the old roof
of my room above the garage.

537
00:38:00,020 --> 00:38:03,109
She had Max move me
to the main house.

538
00:38:03,190 --> 00:38:05,779
I didn't much like the idea.

539
00:38:05,860 --> 00:38:09,779
The only time I could have to myself
was in that room.

540
00:38:09,870 --> 00:38:13,579
But it was better than sleeping
in a raincoat and galoshes.

541
00:38:50,740 --> 00:38:54,999
- Whose room was this?
- It was the room of the husband.

542
00:38:55,080 --> 00:38:59,249
Of the husbands, I should say.
Madame has been married three times.

543
00:39:05,130 --> 00:39:07,969
I guess that's the one
you can see Catalina from.

544
00:39:08,050 --> 00:39:10,049
Only this isn't the day.

545
00:39:23,400 --> 00:39:26,779
Say, what's this with the door?
There isn't any lock.

546
00:39:27,780 --> 00:39:30,909
There are no locks anywhere
in this house, sir.

547
00:39:36,620 --> 00:39:40,079
How come? There must be a reason.

548
00:39:40,170 --> 00:39:42,879
- The doctor suggested it.
- What doctor?

549
00:39:42,960 --> 00:39:48,259
Madame's doctor.
Madame has moments of melancholy.

550
00:39:48,340 --> 00:39:51,049
There have been
some attempts at suicide.

551
00:39:51,140 --> 00:39:52,140
Oh.

552
00:39:52,220 --> 00:39:56,139
We have to be very careful.
No sleeping pills, no razor blades.

553
00:39:56,220 --> 00:40:00,019
We shut off the gas
in Madame's bedroom.

554
00:40:00,100 --> 00:40:02,149
Why? Her career?

555
00:40:02,230 --> 00:40:04,189
She got enough out of it.
She's not forgotten.

556
00:40:04,270 --> 00:40:05,939
She still gets those fan letters.

557
00:40:06,030 --> 00:40:08,989
I wouldn't look too closely
at the postmarks.

558
00:40:12,070 --> 00:40:15,579
You send them. Is that it, Max?

559
00:40:15,660 --> 00:40:18,449
I had better press
your evening clothes, sir.

560
00:40:18,540 --> 00:40:22,039
Mr. Gillis has not forgotten
Madame's New Year's party?

561
00:40:23,170 --> 00:40:27,589
No, no, I haven't.
I suppose all the waxworks are coming.

562
00:40:27,670 --> 00:40:31,009
I wouldn't know, sir.
Madame made the arrangements.

563
00:40:50,780 --> 00:40:52,819
[ GILLIS ] There it was again.

564
00:40:52,910 --> 00:40:57,279
That room of hers, all satin and ruffles.

565
00:40:57,370 --> 00:41:00,249
And that bed like a gilded row boat.

566
00:41:00,330 --> 00:41:03,169
The perfect setting
for a silent movie queen.

567
00:41:04,750 --> 00:41:06,539
Poor devil.

568
00:41:06,630 --> 00:41:10,839
Still waving proudly to a parade
which had long since passed her by.

569
00:41:14,050 --> 00:41:15,370
[ ORCHESTRA PLAYING TANGO MUSIC ]

570
00:41:15,394 --> 00:41:19,183
It was at her New Year's party that
I found out how she felt about me.

571
00:41:19,600 --> 00:41:23,349
Maybe I'd been an idiot
not to have sensed it was coming.

572
00:41:23,440 --> 00:41:26,269
That sad, embarrassing revelation.

573
00:41:31,530 --> 00:41:32,899
Jew.

574
00:41:38,410 --> 00:41:41,659
You look absolutely divine.

575
00:41:41,750 --> 00:41:43,119
- Turn around.
- Please.

576
00:41:43,210 --> 00:41:48,839
Come on. Perfect. Wonderful shoulders.
I love that line.

577
00:41:48,920 --> 00:41:51,919
It's all padding. Don't let it fool you.

578
00:41:52,010 --> 00:41:53,446
You know, to me,
getting dressed up was always

579
00:41:53,470 --> 00:41:55,179
just putting on my dark blue suit.

580
00:41:55,260 --> 00:41:56,540
I don't like the stud they sent.

581
00:41:56,590 --> 00:41:59,009
I want you to have a pearl.
A big, luscious pearl.

582
00:41:59,098 --> 00:42:01,379
Well, I'm not going to wear
earrings, I can tell you that.

583
00:42:01,400 --> 00:42:02,519
[ LAUGHS ]

584
00:42:02,600 --> 00:42:04,689
Cute. Come on, let's have a drink.

585
00:42:04,770 --> 00:42:08,519
- Shouldn't we wait for the others?
- Max, champagne.

586
00:42:08,610 --> 00:42:11,319
Careful, it's slippery. I had it waxed.

587
00:42:13,740 --> 00:42:15,609
Here's to us.

588
00:42:16,860 --> 00:42:19,579
You know, this floor used to be wood,
but I had it changed.

589
00:42:19,660 --> 00:42:24,539
Valentino said
there's nothing like tile for a tango.

590
00:42:24,620 --> 00:42:27,539
- Come on.
- Not on the same floor with Valentino.

591
00:42:27,620 --> 00:42:29,169
Just follow me.

592
00:42:47,690 --> 00:42:49,609
Don't bend back like that.

593
00:42:49,690 --> 00:42:52,819
- It's that thing. It tickles.
- It does?

594
00:43:18,680 --> 00:43:21,469
It's quarter past 10. What time
are they supposed to get here?

595
00:43:21,550 --> 00:43:23,139
- Who?
- The other guests.

596
00:43:23,220 --> 00:43:24,769
There are no other guests.

597
00:43:25,060 --> 00:43:27,429
We don't want to share this night
with other people.

598
00:43:27,520 --> 00:43:29,849
This is for you and me.

599
00:43:29,940 --> 00:43:33,019
- Oh?
- Hold me tighter.

600
00:43:33,110 --> 00:43:34,479
Okay.

601
00:43:36,070 --> 00:43:38,779
Come midnight, how about
blindfolding the orchestra

602
00:43:38,860 --> 00:43:41,619
and smashing champagne glasses
over Max's head?

603
00:43:41,700 --> 00:43:44,739
- You think this is all very funny.
- A little.

604
00:43:52,920 --> 00:43:55,959
[ GILLIS ] An hour dragged by.

605
00:43:56,050 --> 00:44:00,219
I felt caught, like the cigarette
in that contraption on her finger.

606
00:44:05,180 --> 00:44:10,479
What a wonderful next year it's
going to be. What fun we'll have!

607
00:44:10,560 --> 00:44:12,059
I'll fill the pool for you.

608
00:44:12,150 --> 00:44:15,519
I'll open my house in Malibu,
and you can have the whole ocean.

609
00:44:15,610 --> 00:44:18,489
And when our picture is finished,
I'll buy you a boat

610
00:44:18,570 --> 00:44:20,569
and we'll sail to Hawaii...

611
00:44:20,650 --> 00:44:22,610
Stop it. You're not going
to buy me anything more.

612
00:44:22,700 --> 00:44:24,619
Don't be silly.

613
00:44:24,700 --> 00:44:27,829
Here.
I was going to give it to you at midnight.

614
00:44:30,410 --> 00:44:32,709
Norma, I can't take it.
You've bought me enough.

615
00:44:32,790 --> 00:44:34,419
Shut up. I'm rich.

616
00:44:34,500 --> 00:44:37,629
I'm richer than all this
new Hollywood trash.

617
00:44:37,710 --> 00:44:39,919
- [ CHUCKLES ] I've got $1,000,000.
- Keep it.

618
00:44:40,010 --> 00:44:44,549
I own three blocks down town.
I've got oil in Bakersfield.

619
00:44:44,640 --> 00:44:47,639
Pumping, pumping, pumping.

620
00:44:47,720 --> 00:44:50,229
What's it for
but to buy us anything we want?

621
00:44:50,310 --> 00:44:53,149
Cut out that "us" business!

622
00:44:53,230 --> 00:44:54,649
What's the matter with you?

623
00:44:54,730 --> 00:44:57,359
What right do you have
to take me for granted?

624
00:44:58,480 --> 00:45:01,149
What right? Do you want me to tell you?

625
00:45:03,529 --> 00:45:05,929
Has it ever occurred to you
that I may have a life of my own?

626
00:45:05,950 --> 00:45:09,699
That there may be some girl
that I'm crazy about?

627
00:45:09,790 --> 00:45:13,459
Who? Some carhop or dress extra?

628
00:45:13,580 --> 00:45:16,209
What I'm trying to say is
that I'm all wrong for you.

629
00:45:16,290 --> 00:45:20,209
You want a Valentino, somebody
with polo ponies. A big shot.

630
00:45:20,300 --> 00:45:23,759
What you're trying to say is
you don't want me to love you.

631
00:45:23,840 --> 00:45:26,139
Say it. Say it!

632
00:46:42,960 --> 00:46:46,969
[ GILLIS ] I didn't know where I was going.
I just had to get out of there.

633
00:46:47,720 --> 00:46:52,099
I had to be with people my own age.
I had to hear somebody laugh again.

634
00:46:55,060 --> 00:46:57,139
I thought of Artie Green.

635
00:46:57,230 --> 00:46:59,309
There was bound to be
a New Year's shindig going on

636
00:46:59,400 --> 00:47:01,899
in his apartment down on Las Palmas.

637
00:47:01,980 --> 00:47:05,739
Writers without a job,
composers without a publisher,

638
00:47:05,820 --> 00:47:10,199
actresses so young they still believe
the guys in the casting offices.

639
00:47:10,280 --> 00:47:15,249
A bunch of kids who didn't give a hoot
just so long as they had a yuk to share.

640
00:47:17,080 --> 00:47:22,749
Hollywood for us ain't been so good
Got no swimming pool, very few clothes.

641
00:47:22,840 --> 00:47:26,759
All we earn are buttons and bows.

642
00:47:29,800 --> 00:47:31,339
- Hello, Joe.
- Tom.

643
00:47:31,430 --> 00:47:32,799
[ WOMAN ] How are you, Joe?

644
00:47:32,890 --> 00:47:34,889
- [ MAN ] Welcome to the party.
- Hi, Joe.

645
00:47:36,640 --> 00:47:39,559
- Well, what do you know! Joe Gillis!
- Hiya, Artie.

646
00:47:39,640 --> 00:47:41,640
Where you been keeping
that gorgeous face of yours?

647
00:47:41,670 --> 00:47:42,559
In a deep freeze.

648
00:47:42,650 --> 00:47:45,029
I almost reported you
to the Bureau of Missing Persons.

649
00:47:45,110 --> 00:47:48,109
Fans, you all know Joe Gillis,
the well-known screenwriter,

650
00:47:48,200 --> 00:47:50,699
uranium smuggler
and Black Dahlia suspect.

651
00:47:50,780 --> 00:47:52,529
[ ALL LAUGHING ]

652
00:47:52,620 --> 00:47:54,909
- Come on, give me your coat.
- Let it ride for a while.

653
00:47:54,990 --> 00:47:57,630
- You're gonna stay, aren't you?
- Well, that was the general idea.

654
00:47:57,660 --> 00:48:01,159
Then, come on. What is this, mink?

655
00:48:03,250 --> 00:48:05,799
Judas H. Priest!

656
00:48:05,880 --> 00:48:08,379
Who did you borrow that from?
Adolphe Menjou?

657
00:48:08,470 --> 00:48:09,629
Close, but no cigar.

658
00:48:09,719 --> 00:48:12,439
Say, you're not really in the smuggling
business these days, are you?

659
00:48:12,460 --> 00:48:14,549
- Where's the bar?
- Come on.

660
00:48:17,470 --> 00:48:19,099
- It's a good party.
- The greatest.

661
00:48:19,180 --> 00:48:21,939
They call me the Elsa Maxwell
of the assistant directors.

662
00:48:22,020 --> 00:48:24,899
Hey, wait a minute.
Go easy on that punch bowl.

663
00:48:24,980 --> 00:48:28,319
Budget only calls for
three drinks per extra. Fake the rest.

664
00:48:28,400 --> 00:48:30,529
Say, Artie,
can I stick around here for a while?

665
00:48:30,610 --> 00:48:32,199
Sure. This will go on all night.

666
00:48:32,280 --> 00:48:34,409
No, I mean, can you put me up
for a couple of weeks?

667
00:48:34,490 --> 00:48:36,619
It just so happens
we have a vacancy on the couch.

668
00:48:36,700 --> 00:48:37,739
I'll take it.

669
00:48:37,829 --> 00:48:39,709
I'll have the bellhop
take care of your luggage.

670
00:48:39,730 --> 00:48:41,899
Just register it here.

671
00:48:44,460 --> 00:48:46,339
- Hello, Mr. Gillis.
- Hello.

672
00:48:46,460 --> 00:48:48,419
- You know each other?
- Let me help you.

673
00:48:48,510 --> 00:48:52,429
- Betty Schaefer, Sheldrake's office.
- Oh, sure. Bases Loaded.

674
00:48:52,510 --> 00:48:56,429
Wait a minute. This is the woman I love.
What's going on? Who was loaded?

675
00:48:56,510 --> 00:48:59,019
Don't worry.
She's just a fan for my literary output.

676
00:48:59,100 --> 00:49:00,309
Hurt Feelings Department.

677
00:49:00,390 --> 00:49:02,070
Hey, about that luggage.
Where's the phone?

678
00:49:02,100 --> 00:49:04,139
Over by the Rainbow Room.

679
00:49:13,740 --> 00:49:17,329
Say, when you're through with
that thing, can I have it?

680
00:49:20,660 --> 00:49:22,499
Hey, you forgot this.

681
00:49:22,580 --> 00:49:26,329
- Thanks.
- I've been hoping to run into you.

682
00:49:26,420 --> 00:49:29,169
What for? To recover that knife
you stuck in my back?

683
00:49:29,250 --> 00:49:32,469
No. I felt a little guilty,
so I got out some of your old stories.

684
00:49:32,550 --> 00:49:33,679
Why, you sweet kid.

685
00:49:33,760 --> 00:49:36,969
There's one called Window,
something with a window.

686
00:49:37,050 --> 00:49:39,139
- Dark Windows. How'd you like it?
- I didn't.

687
00:49:39,220 --> 00:49:41,769
- Thank you.
- Except for about six pages.

688
00:49:41,850 --> 00:49:44,769
- You've got a flashback there...
- [ LAUGHING LOUDLY ]

689
00:49:44,850 --> 00:49:48,729
- Is there some place we can talk?
- How about the Rainbow Room?

690
00:49:51,150 --> 00:49:53,649
Hey, Joe.
I said you could have my couch.

691
00:49:53,740 --> 00:49:57,569
- I didn't say you could have my girl.
- Oh, this is shop talk.

692
00:49:58,240 --> 00:50:00,920
Now, if I got you correctly,
there was a short stretch of my fiction

693
00:50:00,950 --> 00:50:02,619
which you found worthy of notice.

694
00:50:02,700 --> 00:50:04,140
The flashback scene in the courtroom

695
00:50:04,230 --> 00:50:05,939
when she tells about
being a schoolteacher.

696
00:50:06,020 --> 00:50:07,629
I had a teacher like that once.

697
00:50:07,710 --> 00:50:10,999
Maybe that's why it's good.
It's true. It's moving.

698
00:50:11,089 --> 00:50:14,129
- Now why don't you use that character...
- Who wants true? Who wants moving?

699
00:50:14,150 --> 00:50:16,549
Drop that attitude!
Here's something really worthwhile.

700
00:50:16,640 --> 00:50:18,949
Want me to start right away?
Maybe there's some paper around.

701
00:50:18,970 --> 00:50:21,890
- I'm serious. I've got a few ideas.
- And I've got a few ideas of my own.

702
00:50:21,970 --> 00:50:23,570
One of them being
this is New Year's Eve.

703
00:50:23,660 --> 00:50:24,949
How about living it up a little?

704
00:50:25,030 --> 00:50:27,019
- As for instance?
- Well...

705
00:50:27,100 --> 00:50:29,439
We could make some paper boats
and have a regatta.

706
00:50:29,520 --> 00:50:31,160
Or we could turn on the shower
full blast.

707
00:50:31,230 --> 00:50:33,609
How about capturing the kitchen
and barricading the door?

708
00:50:33,690 --> 00:50:36,529
- Are you hungry?
- Hungry?

709
00:50:36,610 --> 00:50:40,909
After 12 years in the Burmese jungle,
I'm starving, Lady Agatha.

710
00:50:40,990 --> 00:50:44,909
- Starving for a white shoulder...
- Phillip, you're mad!

711
00:50:45,000 --> 00:50:47,369
Thirsting for the coolness of your lips.

712
00:50:49,630 --> 00:50:51,709
You can have the phone now.

713
00:50:53,340 --> 00:50:55,629
No, Phillip, no. We must be strong.

714
00:50:55,720 --> 00:50:58,049
You're still wearing the uniform
of the Cold-stream Guards.

715
00:50:58,130 --> 00:51:01,139
Furthermore,
you can have the phone now.

716
00:51:01,220 --> 00:51:03,559
Okay.

717
00:51:03,640 --> 00:51:06,139
Suddenly I find myself
terribly afraid of losing you.

718
00:51:06,230 --> 00:51:09,849
You won't. I'll get us a refill
of this horrible liquid.

719
00:51:09,940 --> 00:51:13,819
- You'll be waiting for me?
- With a wildly beating heart.

720
00:51:14,150 --> 00:51:16,649
Life can be beautiful.

721
00:51:36,880 --> 00:51:40,179
Hello, Max. This is Mr. Gillis.
I want you to do me a favor.

722
00:51:40,430 --> 00:51:43,179
I'm sorry, Mr. Gillis. I cannot talk now.

723
00:51:43,260 --> 00:51:45,769
Yes you can.
I want you to get my old suitcase

724
00:51:45,850 --> 00:51:48,269
and put in all my old clothes,
the ones I came with.

725
00:51:48,350 --> 00:51:50,519
And my typewriter.
I'll have somebody pick them up.

726
00:51:50,600 --> 00:51:54,609
I have no time to do anything now.
The doctor is here.

727
00:51:55,860 --> 00:51:57,989
What doctor? What's going on?

728
00:51:58,070 --> 00:52:01,359
Madame got the razor from your room
and she cut her wrists.

729
00:52:02,530 --> 00:52:05,369
What? Max! Max!

730
00:52:17,050 --> 00:52:20,339
I just got the recipe.
You take two packages of cough drops

731
00:52:20,430 --> 00:52:23,849
and dissolve in one gallon
of lukewarm grape juice, and...

732
00:52:30,520 --> 00:52:31,809
Hey, Joe!

733
00:52:40,240 --> 00:52:41,649
Happy New Year!

734
00:52:46,790 --> 00:52:49,829
- How is she?
- She's up in her room.

735
00:52:49,910 --> 00:52:52,579
Be careful. Don't race upstairs.

736
00:52:52,670 --> 00:52:55,089
The musicians mustn't know
what happened.

737
00:53:39,340 --> 00:53:40,709
Go away.

738
00:53:50,930 --> 00:53:53,269
What kind of a silly thing
was that to do?

739
00:53:53,350 --> 00:53:56,769
To fall in love with you,
that was the idiotic thing.

740
00:53:58,610 --> 00:54:01,729
It sure would have made
attractive headlines.

741
00:54:01,820 --> 00:54:05,239
"Great Star Kills Herself
for Unknown Writer."

742
00:54:05,320 --> 00:54:07,989
Great stars have great pride.

743
00:54:14,000 --> 00:54:17,789
Go away. Go to that girl of yours.

744
00:54:22,800 --> 00:54:25,629
Look, I was making that up

745
00:54:25,720 --> 00:54:28,849
because I thought the whole thing
was a mistake.

746
00:54:29,850 --> 00:54:33,809
I didn't want to hurt you.
You've been good to me.

747
00:54:33,890 --> 00:54:37,769
You're the only person in this
stinking town that has been good to me.

748
00:54:37,850 --> 00:54:41,359
Why don't you just
say thank you and go? Go, go!

749
00:54:41,440 --> 00:54:45,029
Not until you promise to act
like a sensible human being.

750
00:54:46,200 --> 00:54:48,819
I'll do it again. I'll do it again.

751
00:54:51,490 --> 00:54:53,159
I'll do it again.

752
00:54:55,120 --> 00:54:56,709
[ CRYING ]

753
00:54:57,710 --> 00:55:00,039
[ AULD LANG SYNE PLAYING ]

754
00:55:45,670 --> 00:55:47,589
Happy New Year, Norma.

755
00:55:58,600 --> 00:56:00,849
Happy New Year, darling.

756
00:56:10,700 --> 00:56:12,449
[ PHONE RINGING ]

757
00:56:18,790 --> 00:56:19,869
Hello?

758
00:56:19,960 --> 00:56:23,539
Is this Crestview 5-1733?

759
00:56:23,630 --> 00:56:24,959
I'm sorry to bother you again,

760
00:56:25,040 --> 00:56:28,379
but I've confirmed the number.
I must speak to Mr. Gillis.

761
00:56:28,460 --> 00:56:31,629
- He's not here.
- Well, where can I reach him?

762
00:56:31,759 --> 00:56:33,679
Maybe somebody else in the house
could tell me...

763
00:56:33,700 --> 00:56:36,759
Nobody here can
give you any information.

764
00:56:36,850 --> 00:56:39,429
And you will please not call again!

765
00:56:41,810 --> 00:56:42,849
[ NORMA ] Max!

766
00:56:45,690 --> 00:56:47,899
Who was it, Max? What is it?

767
00:56:50,280 --> 00:56:54,489
Nothing, Madame.
Somebody inquiring about a stray dog.

768
00:56:55,580 --> 00:56:59,289
Our number must be very similar
to the number of the pound.

769
00:57:00,160 --> 00:57:02,869
Wait a minute.
I want you to get out the car.

770
00:57:02,959 --> 00:57:04,639
You're to take the script
over to Paramount

771
00:57:04,660 --> 00:57:07,409
and deliver it to Mr. DeMille in person.

772
00:57:07,670 --> 00:57:09,339
Very good, Madame.

773
00:57:14,509 --> 00:57:16,389
You really going to send
that script to DeMille?

774
00:57:16,410 --> 00:57:19,849
Yes, I am. This is the day.
Here's the chart from my astrologer.

775
00:57:19,930 --> 00:57:21,650
She read DeMille's horoscope.
She read mine.

776
00:57:21,680 --> 00:57:24,269
- Did she read the script?
- DeMille is Leo. I'm Scorpio.

777
00:57:24,350 --> 00:57:26,729
Mars has been transiting
Jupiter for weeks.

778
00:57:26,810 --> 00:57:30,439
Today is the day
of the greatest conjunction.

779
00:57:30,820 --> 00:57:33,449
Turn around, darling. Let me dry you.

780
00:57:36,320 --> 00:57:39,909
I hope you realize, Norma, that
scripts don't sell on astrologer's charts.

781
00:57:39,990 --> 00:57:42,289
I'm not just selling the script.
I'm selling me.

782
00:57:42,370 --> 00:57:45,209
DeMille always said
I was his greatest star.

783
00:57:45,290 --> 00:57:47,339
When did he say it, Norma?

784
00:57:48,090 --> 00:57:49,999
All right, it was quite a few years ago.

785
00:57:50,090 --> 00:57:53,219
But the point is,
I never looked better in my life.

786
00:57:53,380 --> 00:57:57,219
Do you know why? Because I've
never been as happy in my life.

787
00:58:01,890 --> 00:58:04,210
[ GILLIS ] A few evenings later,
we were going to the house

788
00:58:04,234 --> 00:58:07,149
of one of the waxworks
for some bridge.

789
00:58:07,230 --> 00:58:09,479
She'd taught me
how to play bridge by then,

790
00:58:09,570 --> 00:58:12,569
just as she'd taught me
some fancy tango steps

791
00:58:13,030 --> 00:58:15,659
and what wine to drink with what fish.

792
00:58:18,240 --> 00:58:21,829
That idiot!
He forgot to fill my cigarette case.

793
00:58:21,910 --> 00:58:23,539
Here, have one of mine.

794
00:58:23,620 --> 00:58:25,919
They're dreadful. They make me cough.

795
00:58:29,420 --> 00:58:32,669
Pull up at the drug store, will you, Max?
I'll get you some.

796
00:58:32,760 --> 00:58:34,589
You're a darling.

797
00:58:56,400 --> 00:59:00,529
Give me a package of those
Turkish cigarettes. Abdullas.

798
00:59:00,870 --> 00:59:02,369
[ ARTIE MIMICKING
MACHINE GUN FIRE ]

799
00:59:02,450 --> 00:59:06,249
Stick 'em up, Gillis!
Stick 'em up or I'll let you have it!

800
00:59:07,710 --> 00:59:09,579
Hi, Artie. Good evening, Miss Schaefer.

801
00:59:09,670 --> 00:59:11,459
You don't know
how glad I am to see you!

802
00:59:11,540 --> 00:59:13,839
Walking out on the mob.
What's the big idea?

803
00:59:13,920 --> 00:59:15,209
Oh, I'm sorry about New Year's.

804
00:59:15,300 --> 00:59:17,839
Would you believe me if I told you
I stayed with a sick friend?

805
00:59:17,930 --> 00:59:21,389
Someone in the formal set, no doubt,
with a 10-karat kidney stone.

806
00:59:21,470 --> 00:59:24,769
Oh, stop it, Artie, will you?
Where've you been keeping yourself?

807
00:59:24,850 --> 00:59:27,439
I've got
the most wonderful news for you.

808
00:59:27,520 --> 00:59:30,099
I haven't been keeping myself at all.
Not lately.

809
00:59:30,190 --> 00:59:32,819
I called your agent.
I called the Screen Writers' Guild.

810
00:59:32,900 --> 00:59:35,399
Finally, your old apartment gave me
some Crestview number.

811
00:59:35,490 --> 00:59:37,690
There was always somebody
with an accent growling at me.

812
00:59:37,769 --> 00:59:39,689
You were not there.
You were not to be spoken to.

813
00:59:39,710 --> 00:59:41,569
They never even heard of you.

814
00:59:41,660 --> 00:59:44,489
Is that so? What's the wonderful news?

815
00:59:44,580 --> 00:59:46,699
Sheldrake likes the angle
about the teacher.

816
00:59:46,790 --> 00:59:48,409
- What teacher?
- Dark Windows.

817
00:59:48,500 --> 00:59:49,999
I got him all hopped up about it.

818
00:59:50,080 --> 00:59:51,720
He thinks it could be
made into something.

819
00:59:51,750 --> 00:59:54,499
- Okay. Where's the cash?
- Where's the story?

820
00:59:54,589 --> 00:59:56,389
I bluffed it out with a few notions
of my own.

821
00:59:56,410 --> 00:59:58,549
It's really just a springboard.
It needs work.

822
00:59:58,630 --> 00:59:59,719
I was afraid of that.

823
00:59:59,800 --> 01:00:02,960
I've got twenty pages of notes and I've
got a pretty good character for the man.

824
01:00:03,010 --> 01:00:04,810
Could you write in
plenty of background action

825
01:00:04,899 --> 01:00:06,819
so they'll need an extra
assistant director, huh?

826
01:00:06,840 --> 01:00:07,889
Oh, Artie, shut up!

827
01:00:08,229 --> 01:00:10,469
Now, if we could sit down for two weeks
to get a story...

828
01:00:10,490 --> 01:00:12,899
I'm sorry, Miss Schaefer,
I've given up writing on spec.

829
01:00:12,980 --> 01:00:14,569
But I tell you this is half sold.

830
01:00:14,650 --> 01:00:16,939
As a matter of fact,
I've given up writing altogether.

831
01:00:17,030 --> 01:00:19,529
Mr. Gillis, if you please.

832
01:00:20,200 --> 01:00:22,029
I'll be right there.

833
01:00:22,910 --> 01:00:24,699
The accent! I get it!

834
01:00:24,780 --> 01:00:26,580
This guy's in the pay
of a foreign government.

835
01:00:26,620 --> 01:00:28,539
Check those studs. Get those cuff-links.

836
01:00:28,620 --> 01:00:31,749
I've got to run along. Thanks anyway
for your interest in my career.

837
01:00:31,830 --> 01:00:36,249
It's not your career, it's mine!
I'd kind of hoped to get in on this deal.

838
01:00:36,340 --> 01:00:39,469
I don't want to be a reader all my life.
I want to write.

839
01:00:39,550 --> 01:00:42,509
- I'm sorry if I crossed you up.
- You sure have!

840
01:00:42,970 --> 01:00:44,219
So long.

841
01:00:55,400 --> 01:00:57,689
What on earth, darling?
It took you hours.

842
01:00:57,780 --> 01:00:59,689
Oh, I ran into some people I know.

843
01:00:59,780 --> 01:01:03,029
- Where are my cigarettes?
- Where are your...

844
01:01:04,870 --> 01:01:06,869
Norma, you're smoking too much.

845
01:01:10,330 --> 01:01:13,169
[ GILLIS ] Whenever she suspected
I was getting bored,

846
01:01:13,460 --> 01:01:15,959
she would put on a live show for me.

847
01:01:16,130 --> 01:01:18,549
The Norma Desmond Follies.

848
01:01:18,630 --> 01:01:22,259
Her first number was always
the Mac Sennett Bathing Beauty.

849
01:01:22,630 --> 01:01:25,599
[ HUMMING ]

850
01:01:29,600 --> 01:01:30,929
[ LAUGHING ]

851
01:01:31,230 --> 01:01:35,939
I can still see myself in the line.
Marie Prevost, Mabel Normand.

852
01:01:36,230 --> 01:01:38,819
Mabel was always stepping on my feet.

853
01:01:38,900 --> 01:01:42,739
What's the matter with you, darling?
Why are you so glum?

854
01:01:42,820 --> 01:01:46,869
Nothing's the matter. I'm having
a great time. Show me some more.

855
01:01:46,950 --> 01:01:50,489
All right. Give me this.
I need it for a mustache.

856
01:01:50,580 --> 01:01:52,959
Now, close your eyes. Close them.

857
01:01:59,920 --> 01:02:02,669
[ GILLIS ] Something was
the matter all right.

858
01:02:02,760 --> 01:02:07,089
I was thinking about that girl of Artie's,
that Miss Schaefer.

859
01:02:07,680 --> 01:02:11,389
She was so like all us writers
when we first hit Hollywood,

860
01:02:11,470 --> 01:02:13,349
itching with ambition,

861
01:02:13,430 --> 01:02:18,609
planning to get your names up there.
"Screenplay by, Original Story by."

862
01:02:22,030 --> 01:02:25,819
Audiences don't know somebody
sits down and writes a picture.

863
01:02:26,200 --> 01:02:29,409
They think the actors make it up
as they go along.

864
01:02:29,870 --> 01:02:31,409
[ NORMA ] Open your eyes.

865
01:03:06,030 --> 01:03:09,779
- Madame is wanted on the telephone.
- You know better than to interrupt me.

866
01:03:09,870 --> 01:03:11,869
- Paramount is calling.
- Who?

867
01:03:11,950 --> 01:03:13,659
Paramount Studios.

868
01:03:14,870 --> 01:03:18,869
Now! Now, do you believe me?
I told you DeMille would jump at it.

869
01:03:18,960 --> 01:03:21,129
It is not Mr. DeMille in person.

870
01:03:21,210 --> 01:03:23,299
It is someone
by the name of Gordon Cole.

871
01:03:23,380 --> 01:03:26,259
- He says it's very important.
- Certainly it's important.

872
01:03:26,340 --> 01:03:28,719
It's important enough
for DeMille to call me personally.

873
01:03:28,800 --> 01:03:31,639
The very idea of having
some assistant call me!

874
01:03:31,720 --> 01:03:34,679
- Say I'm busy and hang up!
- Very good, Madame.

875
01:03:41,520 --> 01:03:43,229
How do you like that?

876
01:03:43,320 --> 01:03:47,319
We've made 12 pictures together,
his greatest successes!

877
01:03:47,400 --> 01:03:50,659
- Maybe he's busy, maybe he's shooting.
- [ SCOFFING ] I know that trick!

878
01:03:50,740 --> 01:03:54,329
He's trying to belittle me.
He's trying to get my price down.

879
01:03:54,410 --> 01:03:57,909
I've waited 20 years for this call.

880
01:03:58,000 --> 01:04:01,079
Now DeMille can wait
until I'm good and ready.

881
01:04:03,880 --> 01:04:07,299
[ GILLIS ] About three days later
she was good and ready.

882
01:04:07,380 --> 01:04:09,179
Incredible as it may seem,

883
01:04:09,260 --> 01:04:13,049
there'd been some more of those
urgent calls from Paramount.

884
01:04:13,390 --> 01:04:17,639
So, she put on about a half a pound
of makeup, fixed it up with a veil

885
01:04:18,270 --> 01:04:21,059
and set forth to see DeMille in person.

886
01:04:23,440 --> 01:04:28,109
Madame will pardon me, the shadow
over the left eye is not quite balanced.

887
01:04:29,490 --> 01:04:31,069
Thank you, Max.

888
01:04:43,380 --> 01:04:44,669
[ HONKING ]

889
01:04:45,920 --> 01:04:47,839
Hold that noise!

890
01:04:49,170 --> 01:04:50,299
Hey!

891
01:04:50,800 --> 01:04:53,139
To see Mr. DeMille. Open the gate!

892
01:04:53,220 --> 01:04:55,719
Mr. DeMille is shooting.
You got an appointment?

893
01:04:55,810 --> 01:04:59,389
No appointment necessary!
I'm bringing Norma Desmond.

894
01:04:59,730 --> 01:05:01,059
[ OFFICER ] Norma who?

895
01:05:01,480 --> 01:05:04,229
Norma Desmond!

896
01:05:04,310 --> 01:05:07,479
- Jonesy! Hey, Jonesy!
- Yeah?

897
01:05:08,320 --> 01:05:10,649
Why, if it isn't Miss Desmond.

898
01:05:11,650 --> 01:05:14,949
- How have you been, Miss Desmond?
- [ NORMA ] Open the gate!

899
01:05:15,030 --> 01:05:17,329
Sure, Miss Desmond. Come on, Mac.

900
01:05:17,410 --> 01:05:19,329
They can't drive on the lot
without a pass.

901
01:05:19,410 --> 01:05:21,619
Miss Desmond can. Come on.

902
01:05:31,970 --> 01:05:34,589
- Where's Mr. DeMille shooting?
- Stage 18, Miss Desmond.

903
01:05:34,680 --> 01:05:38,099
Thank you, Jonesy,
and teach your friend some manners.

904
01:05:38,180 --> 01:05:40,099
Tell him without me,
he wouldn't have any job,

905
01:05:40,180 --> 01:05:42,500
because without me, there
wouldn't be any Paramount Studio.

906
01:05:42,530 --> 01:05:45,279
- You're right, Miss Desmond.
- Go on, Max.

907
01:05:53,990 --> 01:05:55,569
Stage 18.

908
01:05:56,410 --> 01:05:59,119
[ DEMILLE ON MICROPHONE ] Oh,
I guess, get... Notify Henry Wilcoxon.

909
01:05:59,200 --> 01:06:02,579
Just clear them out, will you?
Spread the thing out so I can see it.

910
01:06:05,540 --> 01:06:07,460
Keep it quiet a little bit,
will you, back there?

911
01:06:07,490 --> 01:06:09,959
Norma Desmond's coming in
to see Mr. DeMille.

912
01:06:10,050 --> 01:06:12,090
[ DEMILLE ] Can you
hit that with a light, somebody,

913
01:06:12,114 --> 01:06:14,719
so I can get a look at that 'scape?

914
01:06:14,800 --> 01:06:16,839
Back up a little bit here, girlie, back up.

915
01:06:16,930 --> 01:06:19,469
Soldier, get out of the way.
You fell over the back there.

916
01:06:19,560 --> 01:06:21,809
Norma Desmond's coming in
to see Mr. DeMille.

917
01:06:21,890 --> 01:06:23,729
Norma Desmond?

918
01:06:25,190 --> 01:06:26,190
Wait a minute.

919
01:06:26,270 --> 01:06:28,059
[ DEMILLE ] Harry Wilcoxon!
[ WILCOXON ] Yes?

920
01:06:28,150 --> 01:06:30,819
Draw your sword
and raise that drape with it.

921
01:06:30,900 --> 01:06:32,989
Samson's lying unconscious over here.

922
01:06:33,070 --> 01:06:36,199
Norma Desmond is coming in
to see you, Mr. DeMille.

923
01:06:36,910 --> 01:06:39,949
- Norma Desmond?
- She must be a million years old.

924
01:06:40,660 --> 01:06:44,329
[ CHUCKLING ] I hate to think where
that puts me. I could be her father.

925
01:06:44,410 --> 01:06:45,499
Very sorry, Mr. DeMille.

926
01:06:45,580 --> 01:06:48,629
It must be about
that awful script of hers.

927
01:06:49,750 --> 01:06:52,169
What can I tell her? What can I say?

928
01:06:52,250 --> 01:06:54,490
I can tell her you're all tied up
in the projection room.

929
01:06:54,520 --> 01:06:56,679
I can give her the brush.

930
01:06:56,760 --> 01:07:00,179
Thirty million fans have given her
the brush. Isn't that enough?

931
01:07:00,260 --> 01:07:02,559
- I didn't mean to...
- No, of course you didn't.

932
01:07:02,640 --> 01:07:06,939
You didn't know Norma Desmond
as a lovely little girl of 17

933
01:07:07,020 --> 01:07:09,559
with more courage and wit and heart

934
01:07:09,650 --> 01:07:11,859
than ever came together
in one youngster.

935
01:07:11,940 --> 01:07:14,109
I understand she was a terror
to work with.

936
01:07:14,190 --> 01:07:16,359
Only toward the end.

937
01:07:16,450 --> 01:07:19,619
You know, a dozen press agents
working overtime

938
01:07:20,240 --> 01:07:23,949
can do terrible things
to the human spirit.

939
01:07:25,080 --> 01:07:26,749
Hold everything.

940
01:07:32,920 --> 01:07:35,799
- Don't you want to come along, darling?
- I don't think so.

941
01:07:35,880 --> 01:07:37,719
It's your script. It's your show.
Good luck.

942
01:07:37,800 --> 01:07:39,299
Thank you, dearest.

943
01:07:43,100 --> 01:07:45,309
Well, hello, young fellow.

944
01:07:45,390 --> 01:07:48,389
- Hello, Mr. DeMille.
- [ CHUCKLING ] It's good to see you.

945
01:07:48,480 --> 01:07:51,019
That last time I saw you
was some place very gay.

946
01:07:51,110 --> 01:07:53,899
I remember waving to you.
I was dancing on a table.

947
01:07:53,980 --> 01:07:58,529
A lot of people were. Lindbergh had just
landed in Paris. Come on in.

948
01:08:01,660 --> 01:08:02,949
Norma, I...

949
01:08:03,030 --> 01:08:06,909
- I must apologize for not calling you.
- You'd better. I'm very angry.

950
01:08:07,000 --> 01:08:09,249
Well, as you can see, I'm terribly busy.

951
01:08:09,330 --> 01:08:12,539
That's no excuse.
You read the script, of course?

952
01:08:13,210 --> 01:08:14,249
Yes, I did.

953
01:08:14,340 --> 01:08:16,420
Then you could have
picked up the telephone yourself,

954
01:08:16,500 --> 01:08:18,539
instead of leaving it
to one of your assistants.

955
01:08:18,630 --> 01:08:21,259
- Hmm? What assistant?
- Now don't play innocent.

956
01:08:21,340 --> 01:08:25,559
- Somebody named Gordon Cole.
- Gordon Cole?

957
01:08:25,640 --> 01:08:28,269
And if you hadn't been pretty darned
interested in that script,

958
01:08:28,350 --> 01:08:31,099
he wouldn't have tried to get me
on the telephone 10 times.

959
01:08:31,190 --> 01:08:32,979
Gordon Cole!

960
01:08:34,150 --> 01:08:36,359
Norma, I'm in the middle of a rehearsal.

961
01:08:36,440 --> 01:08:38,819
Now, why don't you just sit
up here in my chair

962
01:08:38,900 --> 01:08:40,949
and make yourself comfortable, hmm?

963
01:08:41,030 --> 01:08:43,989
- Thank you.
- That's a girl. There.

964
01:08:44,070 --> 01:08:46,159
I won't be a moment.

965
01:08:46,240 --> 01:08:49,079
Bring me a telephone
and get me Gordon Cole.

966
01:08:49,200 --> 01:08:50,369
Right.

967
01:09:05,300 --> 01:09:07,309
[ HOG-EYE ] Hey, Miss Desmond!

968
01:09:09,220 --> 01:09:14,099
Miss Desmond! It's me! It's Hog-Eye.

969
01:09:14,770 --> 01:09:16,729
Hello, Hog-Eye!

970
01:09:19,030 --> 01:09:21,449
Let's get a good look at you!

971
01:09:24,490 --> 01:09:28,699
- Look, there's Norma Desmond!
- Norma Desmond!

972
01:09:29,790 --> 01:09:32,249
- Norma Desmond.
- Why, I thought she was dead!

973
01:09:32,330 --> 01:09:33,999
How nice to see you.

974
01:09:34,080 --> 01:09:36,499
Welcome home, Miss Desmond.
You remember me, don't you?

975
01:09:36,590 --> 01:09:38,419
- [ WOMAN ] Miss Desmond!
- Hello!

976
01:09:39,710 --> 01:09:41,919
[ WOMAN ] Mr. Wilcoxon,
have you met Miss Desmond?

977
01:09:42,010 --> 01:09:43,679
It's a great pleasure.

978
01:09:43,760 --> 01:09:46,219
Oh, Gordon. This is C.B. DeMille.

979
01:09:46,300 --> 01:09:48,349
Have you been calling
Norma Desmond?

980
01:09:48,430 --> 01:09:49,889
Yes, Mr. DeMille.

981
01:09:49,970 --> 01:09:52,679
It's that car of hers,
an old lsotta-Fraschini.

982
01:09:52,769 --> 01:09:54,769
Her chauffeur drove it in
on the lot the other day.

983
01:09:54,790 --> 01:09:56,689
It looks just right for the Crosby picture.

984
01:09:56,770 --> 01:09:59,269
We want to rent it
for a couple of weeks.

985
01:09:59,360 --> 01:10:00,779
Oh, I see.

986
01:10:02,320 --> 01:10:05,449
Well, thank you very much. Thank you.

987
01:10:12,120 --> 01:10:14,789
[ INDISTINCT CHATTERING ]

988
01:10:20,710 --> 01:10:24,469
Hog-Eye, turn that light
back where it belongs.

989
01:10:39,310 --> 01:10:40,399
Well, I...

990
01:10:40,940 --> 01:10:42,729
I got hold of Gordon Cole.

991
01:10:42,820 --> 01:10:45,449
Did you see them?
Did you see how they came?

992
01:10:45,530 --> 01:10:46,819
You know,

993
01:10:46,910 --> 01:10:50,449
some crazy things happen
in this business, Norma.

994
01:10:50,746 --> 01:10:52,506
I hope you haven't lost
your sense of humour.

995
01:10:52,530 --> 01:10:53,859
[ SNIFFLING ]

996
01:10:54,710 --> 01:10:57,289
- What's the matter, dear?
- Nothing.

997
01:10:57,540 --> 01:11:01,629
I just didn't realize what it would be like
to come back to the old studio.

998
01:11:01,710 --> 01:11:04,169
I had no idea how much I'd missed it.

999
01:11:04,260 --> 01:11:05,549
We've missed you, too, dear.

1000
01:11:05,630 --> 01:11:08,889
We'll be working again, won't we,
Chief? We'll make our greatest picture!

1001
01:11:08,970 --> 01:11:12,679
- That's what I want to talk to you about.
- It's a good script, isn't it?

1002
01:11:12,760 --> 01:11:16,189
Well, it's...
It has some good things in it, yes, but,

1003
01:11:16,890 --> 01:11:18,769
it would be a very expensive picture.

1004
01:11:18,850 --> 01:11:22,569
Oh, I don't care about the money.
I just want to work again.

1005
01:11:22,690 --> 01:11:25,489
You don't know what it means
to know that you want me.

1006
01:11:25,570 --> 01:11:28,529
Nothing would please me more,
Norma, if...

1007
01:11:28,700 --> 01:11:30,569
- if it were possible.
- And remember, darling,

1008
01:11:30,660 --> 01:11:34,449
I don't work before 10:00 in the morning,
and never after 4:30 in the afternoon.

1009
01:11:34,540 --> 01:11:36,459
We're ready for the shot, Mr. DeMille.

1010
01:11:36,540 --> 01:11:40,829
All right. Norma, why don't you just
sit here and watch?

1011
01:11:41,540 --> 01:11:44,629
You know,
pictures have changed quite a bit.

1012
01:11:45,380 --> 01:11:47,469
All right, let's go!

1013
01:11:47,840 --> 01:11:49,339
Hit 'em all!

1014
01:11:51,470 --> 01:11:52,799
- Roll 'em!
- [ CAMERA BEEPING ]

1015
01:11:54,180 --> 01:11:55,389
Speed!

1016
01:12:03,610 --> 01:12:06,489
You see those offices there, Mr. Gillis?

1017
01:12:08,150 --> 01:12:11,569
They used to be Madame's
dressing room. The whole row.

1018
01:12:12,570 --> 01:12:14,449
That didn't leave much
for Wallace Reid.

1019
01:12:14,540 --> 01:12:17,159
Oh, he had a great big bungalow
on wheels.

1020
01:12:18,210 --> 01:12:20,119
I had the upstairs.

1021
01:12:20,210 --> 01:12:23,169
You see where it says
"Readers' Department"?

1022
01:12:23,710 --> 01:12:27,419
I remember my walls were covered
with black patent leather.

1023
01:12:36,390 --> 01:12:38,729
I'll be with you in a minute.

1024
01:12:51,070 --> 01:12:53,489
Hey, here's that funny car
Gordon Cole was talking about.

1025
01:12:53,570 --> 01:12:55,829
- Yeah.
- Do you mind if we look it over?

1026
01:12:55,910 --> 01:12:57,909
What's so funny about it?

1027
01:13:04,919 --> 01:13:06,679
Just so you don't think
I'm a complete swine,

1028
01:13:06,700 --> 01:13:09,879
if there's anything in Dark Windows
you can use, take it. It's all yours.

1029
01:13:09,970 --> 01:13:13,009
Well, for heaven's sakes!
Come on in, have a chair.

1030
01:13:13,090 --> 01:13:15,889
I mean it. It's no good to me, anyway.
Help yourself.

1031
01:13:15,970 --> 01:13:17,139
Now, why should you do that?

1032
01:13:17,220 --> 01:13:19,889
If you get 100,000 for it,
you buy me a box of chocolate creams.

1033
01:13:19,980 --> 01:13:21,689
If you get an Oscar, I get the left foot.

1034
01:13:21,770 --> 01:13:23,689
You know,
I'd take you up on that in a minute.

1035
01:13:23,770 --> 01:13:26,059
I'm just not good enough
to do it all by myself.

1036
01:13:26,150 --> 01:13:27,859
What about all those ideas you had?

1037
01:13:27,940 --> 01:13:30,319
Well, see if they make sense.

1038
01:13:30,400 --> 01:13:33,319
To begin with, I think you should throw
out all that psychological mess,

1039
01:13:33,410 --> 01:13:37,199
- exploring a killer's sick mind.
- Psychopaths sell like hotcakes.

1040
01:13:37,280 --> 01:13:40,749
This is a story about teachers,
their threadbare lives, their struggle!

1041
01:13:40,830 --> 01:13:43,999
Now, I see her teaching day classes
while he teaches night school.

1042
01:13:44,080 --> 01:13:46,056
- [ CAR HONKING ]
- Now, the first time they meet...

1043
01:13:46,080 --> 01:13:48,760
Look, if you don't mind,
I haven't time to listen to the whole plot.

1044
01:13:48,790 --> 01:13:50,919
- I'll make it short.
- I'm sorry. It's your baby now.

1045
01:13:51,010 --> 01:13:53,879
Couldn't we work in the evenings?
6:00 in the morning?

1046
01:13:53,970 --> 01:13:57,599
This next month I'm completely
at your disposal. Artie's out of town.

1047
01:13:57,680 --> 01:14:00,809
- What's Artie got to do with it?
- We're engaged.

1048
01:14:01,270 --> 01:14:04,979
Oh. Oh, well, good for you.
You couldn't find a nicer guy.

1049
01:14:05,060 --> 01:14:09,319
That's what I think. They're on location
in Arizona, making a Western.

1050
01:14:09,400 --> 01:14:11,439
I'm free every evening
and every weekend.

1051
01:14:11,529 --> 01:14:13,129
We could work at your place,
if you want.

1052
01:14:13,150 --> 01:14:14,779
[ CAR HONKING ]

1053
01:14:14,860 --> 01:14:17,069
Look, Betty, it can't be done. It's out!

1054
01:14:17,160 --> 01:14:19,279
Now, stop being chicken-hearted
and write that story!

1055
01:14:19,370 --> 01:14:22,409
- Honest to goodness, I hate you!
- And don't make it too dreary.

1056
01:14:22,500 --> 01:14:23,789
How about this for a situation?

1057
01:14:23,870 --> 01:14:25,919
She teaches daytimes,
he teaches at night. Right?

1058
01:14:26,000 --> 01:14:27,680
- Right.
- They don't even know each other,

1059
01:14:27,760 --> 01:14:29,929
but they share the same room.
It's cheaper that way.

1060
01:14:30,020 --> 01:14:33,969
As a matter of fact, they sleep
in the same bed. In shifts, of course.

1061
01:14:35,050 --> 01:14:37,889
Are you kidding?
Because I think it's good.

1062
01:14:38,300 --> 01:14:39,639
- So do I.
- Well, come on back.

1063
01:14:39,720 --> 01:14:42,309
- Let me show you where it fits in.
- So long.

1064
01:14:42,390 --> 01:14:44,229
Oh, you...

1065
01:14:50,359 --> 01:14:52,519
- What's the matter, Max?
- I just found out the reason

1066
01:14:52,540 --> 01:14:55,129
for all those telephone calls
from Paramount.

1067
01:14:55,570 --> 01:14:59,489
It's not Madame they want.
It's her car they want to rent.

1068
01:14:59,700 --> 01:15:00,949
What?

1069
01:15:04,250 --> 01:15:07,499
Well, goodbye, Norma.
We'll see what we can do.

1070
01:15:07,580 --> 01:15:11,209
I'm not worried. Everything will be fine.
The old team together again.

1071
01:15:11,290 --> 01:15:14,839
- Nothing can stop us.
- The old team. Yeah.

1072
01:15:16,880 --> 01:15:19,679
- Goodbye, dear.
- Goodbye, Mr. DeMille.

1073
01:15:28,520 --> 01:15:30,359
- How'd it go?
- It couldn't have gone better.

1074
01:15:30,440 --> 01:15:32,019
It's practically set.

1075
01:15:32,110 --> 01:15:36,859
Of course, he has to finish this picture
first, but mine will be his next.

1076
01:15:37,360 --> 01:15:41,909
Get Gordon Cole.
Tell him to forget about her car.

1077
01:15:41,990 --> 01:15:44,909
Tell him he can get
another old car some place.

1078
01:15:45,000 --> 01:15:47,829
I'll buy him five old cars, if necessary.

1079
01:15:54,960 --> 01:15:56,209
[ GILLIS ] After that,

1080
01:15:56,300 --> 01:16:00,389
an army of beauty experts invaded
her house on Sunset Boulevard.

1081
01:16:01,300 --> 01:16:04,469
She went through
a merciless series of treatments.

1082
01:16:04,560 --> 01:16:08,559
Like an athlete training for the Olympic
Games, she counted every calorie.

1083
01:16:08,640 --> 01:16:11,019
Went to bed every night at 9:00.

1084
01:16:11,100 --> 01:16:14,269
She was absolutely determined
to be ready,

1085
01:16:14,650 --> 01:16:17,649
ready for those cameras
that would never turn.

1086
01:16:54,440 --> 01:16:56,939
- Joe, darling, are you there?
- Yes, Norma.

1087
01:16:57,030 --> 01:17:00,149
Don't turn around!
Keep your eyes on the book.

1088
01:17:02,530 --> 01:17:04,739
I just came to say good night.

1089
01:17:05,619 --> 01:17:06,699
I don't want you to see me.

1090
01:17:06,720 --> 01:17:09,659
- I'm not very attractive.
- Good night.

1091
01:17:09,750 --> 01:17:11,749
You know, I've lost half a pound
since Tuesday.

1092
01:17:11,830 --> 01:17:13,329
- Good!
- I was a little worried

1093
01:17:13,420 --> 01:17:14,959
about the line of my throat.

1094
01:17:15,040 --> 01:17:17,549
- This woman has done wonders with it.
- Good.

1095
01:17:19,380 --> 01:17:23,219
- You'd better get to bed yourself.
- I think I'll read a little longer.

1096
01:17:25,050 --> 01:17:28,009
You went out last night, didn't you, Joe?

1097
01:17:28,100 --> 01:17:30,639
- Why do you say that?
- I just happen to know it.

1098
01:17:30,730 --> 01:17:32,330
I had a nightmare
and I screamed for you.

1099
01:17:32,390 --> 01:17:35,309
You weren't here. Where were you?

1100
01:17:35,400 --> 01:17:38,689
- I went for a walk.
- No, you didn't. You took the car.

1101
01:17:40,280 --> 01:17:42,819
All right, I drove to the beach.

1102
01:17:42,900 --> 01:17:45,500
Norma, you don't want me to feel
that I'm locked up in this house?

1103
01:17:45,570 --> 01:17:49,659
Of course not, Joe. It's just that
I don't want to be left alone.

1104
01:17:49,740 --> 01:17:54,119
Not while I'm under this terrible strain.
My nerves are being torn to shreds.

1105
01:17:54,210 --> 01:17:58,589
All I ask is for you to be a little patient
and a little kind.

1106
01:18:00,380 --> 01:18:02,060
[ SIGHING ] Norma,
I haven't done anything.

1107
01:18:02,130 --> 01:18:04,009
Of course you haven't.

1108
01:18:04,970 --> 01:18:08,509
I wouldn't let you. Good night, darling.

1109
01:18:37,790 --> 01:18:41,629
[ GILLIS ] Yes, I was playing hooky
every evening alone in there.

1110
01:18:43,130 --> 01:18:44,839
It made me think of when I was 12

1111
01:18:44,930 --> 01:18:48,719
and used to sneak out on the folks
to see a gangster picture.

1112
01:18:49,140 --> 01:18:53,769
This time, it wasn't to see a picture.
It was to try and write one.

1113
01:18:54,480 --> 01:18:56,559
That story of mine
Betty Schaefer had dug up

1114
01:18:56,650 --> 01:19:00,319
kept going through my head
like a dozen locomotives.

1115
01:19:01,070 --> 01:19:03,989
So, we started working on it,
the two of us,

1116
01:19:04,110 --> 01:19:09,029
nights when the studio was deserted,
up in her little cubbyhole of an office.

1117
01:19:25,670 --> 01:19:28,049
I got the funniest letter from Artie.

1118
01:19:28,130 --> 01:19:31,099
It's rained every day since
they got to Arizona.

1119
01:19:31,180 --> 01:19:34,889
They rewrote the whole picture for rain
and shot half of it.

1120
01:19:35,730 --> 01:19:38,939
Now, the sun is out.
Nobody knows when they'll get back.

1121
01:19:39,020 --> 01:19:40,609
- Good.
- What's good about it?

1122
01:19:40,690 --> 01:19:43,109
I miss him something fierce.

1123
01:19:43,190 --> 01:19:44,939
I mean this is good dialogue
along in here.

1124
01:19:45,030 --> 01:19:46,739
- It'll play.
- It will?

1125
01:19:46,820 --> 01:19:50,779
Sure. Especially with lots of music
underneath, drowning it out.

1126
01:19:51,240 --> 01:19:54,289
- Don't you sometimes hate yourself?
- Constantly.

1127
01:19:55,790 --> 01:20:00,129
No, in all seriousness, this is really
good. It's fun writing with you.

1128
01:20:01,330 --> 01:20:03,039
Oh, thanks.

1129
01:20:16,730 --> 01:20:18,229
BETTY: Who's Norma?

1130
01:20:20,060 --> 01:20:21,559
Who's who?

1131
01:20:21,650 --> 01:20:24,939
Oh, I'm sorry. I don't usually read
private cigarette cases.

1132
01:20:25,030 --> 01:20:27,899
Oh, that. It's from a friend of mine,

1133
01:20:29,360 --> 01:20:32,989
a middle-aged lady,
very foolish and very generous.

1134
01:20:33,070 --> 01:20:35,329
I'll say. This is solid gold.

1135
01:20:35,410 --> 01:20:37,909
I gave her some advice
on an idiotic script.

1136
01:20:38,000 --> 01:20:40,079
Oh, the old, familiar story.

1137
01:20:40,170 --> 01:20:42,749
You help a timid little soul
cross a crowded street.

1138
01:20:42,830 --> 01:20:47,089
She turns out to be a multi-millionaire
and leaves you all her money.

1139
01:20:47,510 --> 01:20:50,879
That's the trouble with you readers.
You know all the plots.

1140
01:20:50,970 --> 01:20:54,219
Now, suppose you proofread
page 10 while the water boils.

1141
01:20:54,300 --> 01:20:56,259
Okay? Okay.

1142
01:21:19,950 --> 01:21:23,039
[ GILLIS ] Sometimes, when we got stuck,

1143
01:21:23,120 --> 01:21:25,959
we'd make a little tour
of the drowsing lot,

1144
01:21:26,290 --> 01:21:28,249
not talking much,

1145
01:21:28,340 --> 01:21:31,969
just wandering down alleys
between the sound stages

1146
01:21:32,050 --> 01:21:35,969
or through the sets they were getting
ready for the next day's shooting.

1147
01:21:36,350 --> 01:21:38,099
As a matter of fact,

1148
01:21:38,180 --> 01:21:41,889
it was on one of those walks
when she first told me about her nose.

1149
01:21:41,980 --> 01:21:43,769
Look at this street.

1150
01:21:43,850 --> 01:21:48,229
All cardboard, all hollow, all phony,
all clone with mirrors.

1151
01:21:48,650 --> 01:21:52,199
You know, I like it better
than any street in the world.

1152
01:21:52,820 --> 01:21:56,069
Maybe because I used to play here
when I was a kid.

1153
01:21:56,990 --> 01:21:59,329
What were you, a child actress?

1154
01:21:59,740 --> 01:22:04,209
No, I was born just two blocks from this
studio. Right on Lemon Grove Avenue.

1155
01:22:04,290 --> 01:22:06,709
My father was head electrician here
till he died.

1156
01:22:06,790 --> 01:22:09,799
- Mother still works in Wardrobe.
- Second generation, huh?

1157
01:22:09,880 --> 01:22:12,589
Third. Grandma did stunt work
for Pearl White.

1158
01:22:12,670 --> 01:22:14,299
I come from a picture family.

1159
01:22:14,630 --> 01:22:17,139
Naturally, they expected me
to become a great star.

1160
01:22:17,220 --> 01:22:21,429
So I had 10 years of dramatic lessons,
diction, dancing.

1161
01:22:21,520 --> 01:22:25,399
Then the studio made a test.
Well, they didn't like my nose.

1162
01:22:25,690 --> 01:22:29,269
It slanted this way a little.
So, I went to a doctor and had it fixed.

1163
01:22:29,360 --> 01:22:32,029
They made more tests
and they were crazy about my nose,

1164
01:22:32,110 --> 01:22:34,949
only they didn't like my acting.

1165
01:22:37,620 --> 01:22:39,029
- Nice job.
- It should be.

1166
01:22:39,120 --> 01:22:41,449
It cost me $300.

1167
01:22:41,870 --> 01:22:44,289
- That's the saddest thing I ever heard.
- Oh, not at all.

1168
01:22:44,370 --> 01:22:46,749
It taught me a little sense.
I got a job in the mail room,

1169
01:22:46,830 --> 01:22:49,039
worked up to the Stenographic.
Now I'm a reader.

1170
01:22:49,130 --> 01:22:50,130
Come clean, Betty.

1171
01:22:50,210 --> 01:22:53,379
At night you weep for those lost
close-ups, those gala openings.

1172
01:22:53,460 --> 01:22:54,509
Not once.

1173
01:22:54,590 --> 01:22:57,469
What's wrong with being on the
other side of the cameras?

1174
01:22:57,550 --> 01:23:01,349
- It's really more fun.
- Three cheers for Betty Schaefer!

1175
01:23:01,720 --> 01:23:05,019
- I will now kiss that nose of yours.
- If you please.

1176
01:23:09,650 --> 01:23:13,939
- May I say that you smell real special?
- It must be my new shampoo.

1177
01:23:15,650 --> 01:23:20,909
That's no shampoo. It's more like
freshly laundered linen handkerchiefs.

1178
01:23:21,910 --> 01:23:25,039
Like a brand-new auto-mobile.

1179
01:23:25,120 --> 01:23:27,789
- How old are you, anyway?
- Twenty-two.

1180
01:23:29,080 --> 01:23:32,589
Smart girl.
Nothing like being twenty-two.

1181
01:23:34,460 --> 01:23:37,129
And may I suggest that
if we're ever to finish this story,

1182
01:23:37,220 --> 01:23:40,009
you stay at least two feet away from me.

1183
01:23:40,800 --> 01:23:42,520
The first time you see me
coming any closer,

1184
01:23:42,600 --> 01:23:46,519
I want you to take off a shoe
and clunk me on the head with it.

1185
01:23:47,440 --> 01:23:51,359
Now back to the typewriters,
by way of Washington Square.

1186
01:24:37,820 --> 01:24:40,239
What is it, Max?

1187
01:24:40,320 --> 01:24:42,699
Want to wash the car,

1188
01:24:42,780 --> 01:24:45,909
or are you doing a little spying
in your off hours?

1189
01:24:45,990 --> 01:24:49,329
You must be very careful
as you cross the patio.

1190
01:24:49,410 --> 01:24:50,919
Madame may be watching.

1191
01:24:50,999 --> 01:24:53,559
How about going up the kitchen stairs
and undressing in the dark?

1192
01:24:53,580 --> 01:24:55,249
Will that do it?

1193
01:24:55,340 --> 01:24:58,419
I am not inquiring where Mr. Gillis goes
every night.

1194
01:24:58,510 --> 01:25:01,509
Why don't you? I'm writing a script.

1195
01:25:01,840 --> 01:25:04,259
And I'm going to finish it,
no matter what.

1196
01:25:04,350 --> 01:25:07,559
It is just that I am greatly worried
about Madame.

1197
01:25:08,850 --> 01:25:10,349
Sure you are.

1198
01:25:10,850 --> 01:25:14,979
And we're not helping her any,
feeding her lies and more lies.

1199
01:25:15,360 --> 01:25:19,359
Getting herself ready for a picture.
What happens when she finds out?

1200
01:25:19,690 --> 01:25:23,529
She never will. That is my job,

1201
01:25:23,910 --> 01:25:26,949
and it has been for a long time.

1202
01:25:27,040 --> 01:25:31,289
You must understand,
I discovered her when she was 16.

1203
01:25:31,710 --> 01:25:36,499
I made her a star,
and I cannot let her be destroyed.

1204
01:25:37,420 --> 01:25:42,549
- You made her a star.
- Yes, I directed all her early films.

1205
01:25:43,630 --> 01:25:47,809
There were three young directors
who showed promise in those days.

1206
01:25:48,010 --> 01:25:53,599
D.W. Griffith, Cecil B. DeMille
and Max von Mayerling.

1207
01:25:55,520 --> 01:25:57,769
And she's turned you into a servant.

1208
01:25:57,860 --> 01:26:02,239
It was I who asked to come back,
humiliating as it may seem.

1209
01:26:02,320 --> 01:26:05,199
I could have continued my career,

1210
01:26:05,280 --> 01:26:10,079
only I found everything unendurable
after she had left me.

1211
01:26:10,580 --> 01:26:11,869
You see,

1212
01:26:13,250 --> 01:26:15,419
I was her first husband.

1213
01:26:42,610 --> 01:26:44,069
You're here, Joe!

1214
01:26:46,030 --> 01:26:47,949
When did you come home?

1215
01:26:52,450 --> 01:26:55,159
Oh, Joe, where were you?

1216
01:26:56,670 --> 01:26:59,379
Is it a woman? I know it's a woman.
Who is she?

1217
01:27:00,130 --> 01:27:03,799
Why can't I ask you? I must know!

1218
01:27:58,770 --> 01:28:00,519
What's the matter?

1219
01:28:03,400 --> 01:28:06,819
Betty, wake up!
Why are you staring at me like that?

1220
01:28:08,700 --> 01:28:10,529
Oh, was I? I'm sorry.

1221
01:28:11,910 --> 01:28:15,409
What's wrong with you tonight?
What is it?

1222
01:28:16,290 --> 01:28:18,999
Oh, something came up.
I don't want to talk about it.

1223
01:28:19,080 --> 01:28:20,459
Why not?

1224
01:28:27,880 --> 01:28:29,379
I just don't.

1225
01:28:37,890 --> 01:28:39,599
What have you heard?

1226
01:28:40,350 --> 01:28:43,859
Come on, let's have it. Is it about me?

1227
01:28:58,080 --> 01:29:02,419
Betty, there's no use running out on it.
Let's face it, whatever it is.

1228
01:29:03,460 --> 01:29:09,089
- I got a telegram from Artie.
- From Artie? What's wrong?

1229
01:29:09,970 --> 01:29:12,469
He wants me to come on to Arizona.

1230
01:29:13,140 --> 01:29:16,679
He says it only costs $2
to get married there.

1231
01:29:18,020 --> 01:29:20,559
It would kind of save us a honeymoon.

1232
01:29:21,020 --> 01:29:24,649
Well, why don't you?
We can finish the script by Thursday.

1233
01:29:26,940 --> 01:29:30,279
Stop crying, will you? You're getting
married. That's what you wanted.

1234
01:29:30,360 --> 01:29:32,109
[ SNIFFLING ] I don't want it now.

1235
01:29:33,660 --> 01:29:38,199
- Why not? Don't you love Artie?
- Of course I love him. I always will.

1236
01:29:40,620 --> 01:29:44,289
I'm not in love with him any more,
that's all.

1237
01:29:45,880 --> 01:29:49,919
- What happened?
- You did.

1238
01:30:03,850 --> 01:30:06,979
[ GILLIS ] It wasn't until I got
back to that peculiar prison of mine

1239
01:30:07,060 --> 01:30:09,439
that I started facing the facts.

1240
01:30:11,490 --> 01:30:16,279
There it was, Betty Schaefer's future
right in the palm of my hand.

1241
01:30:17,410 --> 01:30:21,699
Betty Schaefer engaged to Artie Green,
as nice a guy as ever lived.

1242
01:30:22,830 --> 01:30:26,289
And she was in love with me. Me!

1243
01:30:39,180 --> 01:30:43,559
She was a fool not to sense that there
was something phony in my setup.

1244
01:30:43,640 --> 01:30:46,729
And I was a heel not to have told her.

1245
01:30:46,810 --> 01:30:51,189
But you just can't say those things
to somebody you're crazy about.

1246
01:30:52,150 --> 01:30:55,609
Maybe I'd never have to.
Maybe I could get away with it,

1247
01:30:55,700 --> 01:30:57,319
get away from Norma.

1248
01:30:57,410 --> 01:31:01,199
Maybe I could wipe the whole
nasty mess right out of my life.

1249
01:31:01,290 --> 01:31:03,039
[ TELEPHONE DIALING ]

1250
01:31:10,090 --> 01:31:13,799
[ NORMA ] Hello. Is this Gladstone 9281?

1251
01:31:13,880 --> 01:31:18,049
May I speak to Miss Betty Schaefer?
She must be home by now.

1252
01:31:18,550 --> 01:31:22,889
Hey, Betty! Here's that weird-sounding
woman again.

1253
01:31:24,060 --> 01:31:26,389
Well, what is this, anyway?

1254
01:31:27,440 --> 01:31:29,559
This is Betty Schaefer.

1255
01:31:29,650 --> 01:31:33,779
You must forgive me for calling you
so late, but I really feel it's my duty.

1256
01:31:34,110 --> 01:31:37,569
It's about Mr. Gillis.
You do know Mr. Gillis?

1257
01:31:39,200 --> 01:31:42,239
Exactly how much
do you know about him?

1258
01:31:43,330 --> 01:31:45,499
Do you know where he lives?

1259
01:31:46,080 --> 01:31:49,579
Do you know how he lives?
Do you know what he lives on?

1260
01:31:50,750 --> 01:31:54,919
Who are you? What do you want?
What business is it of yours, anyway?

1261
01:31:55,130 --> 01:31:58,839
Miss Schaefer,
I'm trying to do you a favour.

1262
01:31:59,340 --> 01:32:03,009
I'm trying to spare you
a great deal of misery.

1263
01:32:03,100 --> 01:32:07,599
Of course you may be too young to even
suspect there are men of his sort.

1264
01:32:08,100 --> 01:32:11,899
I don't know what he's told you,
but he does not live with relatives,

1265
01:32:12,150 --> 01:32:15,739
nor with friends
in the usual sense of the word.

1266
01:32:16,690 --> 01:32:19,739
Well, ask him. Ask him again.

1267
01:32:24,870 --> 01:32:28,119
That's right, Betty, ask me again.
This is Joe.

1268
01:32:28,750 --> 01:32:32,789
Joe? Where are you?
What is this all about?

1269
01:32:34,880 --> 01:32:38,549
Or better yet, why don't you come out
and see for yourself?

1270
01:32:38,630 --> 01:32:43,049
The address is
10,086 Sunset Boulevard.

1271
01:32:58,110 --> 01:33:01,989
Don't hate me, Joe!
I did it because I need you.

1272
01:33:02,070 --> 01:33:04,949
I need you
as I've never needed you before.

1273
01:33:05,030 --> 01:33:07,829
Look at me! Look at my hands!

1274
01:33:07,910 --> 01:33:11,169
Look at my face! Look under my eyes!

1275
01:33:11,250 --> 01:33:14,539
How can I go back to work
if I'm wasting away under this torment?

1276
01:33:14,630 --> 01:33:17,669
You don't know what I've been through
these last weeks!

1277
01:33:17,760 --> 01:33:19,299
[ NORMA SOBBING ]

1278
01:33:25,260 --> 01:33:27,309
I bought myself a revolver, I did. I did!

1279
01:33:27,390 --> 01:33:31,269
I stood in front of that mirror,
but I couldn't make myself do it.

1280
01:33:31,350 --> 01:33:34,479
Don't just stand there hating me!
Shout at me!

1281
01:33:34,560 --> 01:33:40,359
Strike me! But don't hate me.
Say you don't hate me, Joe!

1282
01:33:41,400 --> 01:33:43,029
[ SOBBING ]

1283
01:33:55,210 --> 01:33:59,169
Here's 10,079, Connie.
It must be over there.

1284
01:34:09,060 --> 01:34:11,729
Betty, let me come along with you.
Please!

1285
01:34:11,810 --> 01:34:13,729
No, I'll be all right.

1286
01:34:20,650 --> 01:34:24,779
[ MUFFLED ] I love you, Joe.
I love you, Joe.

1287
01:34:25,660 --> 01:34:28,079
- I love you, Joe.
- [ DOORBELL RINGING ]

1288
01:34:31,370 --> 01:34:34,919
What are you going to do, Joe?
What are you going to do?

1289
01:34:42,840 --> 01:34:45,549
It's all right, Max. I'll take it.

1290
01:34:45,930 --> 01:34:48,799
- Hello, Betty.
- I don't know why I'm so scared, Joe.

1291
01:34:48,890 --> 01:34:51,269
- Is it something awful?
- Come on in.

1292
01:34:57,940 --> 01:35:01,229
Ever been in one of these
old Hollywood palazzos?

1293
01:35:01,320 --> 01:35:05,109
That's from when they were making
18,000 a week and no taxes.

1294
01:35:05,200 --> 01:35:09,529
Careful of these tiles, they're slippery.
Valentino used to dance here.

1295
01:35:09,780 --> 01:35:12,079
- This is where you live?
- You bet.

1296
01:35:13,700 --> 01:35:15,749
- Whose house is it?
- Hers.

1297
01:35:17,080 --> 01:35:18,579
- Whose?
- Just look around.

1298
01:35:18,670 --> 01:35:20,339
There's a lot of her spread about.

1299
01:35:20,420 --> 01:35:23,209
If you don't remember the face,
you must have heard the name.

1300
01:35:23,300 --> 01:35:24,919
Norma Desmond.

1301
01:35:26,220 --> 01:35:27,639
That was Norma Desmond
on the phone?

1302
01:35:27,719 --> 01:35:30,359
Would you like something to drink?
There's always champagne on ice,

1303
01:35:30,380 --> 01:35:33,139
- plenty of caviare.
- Why did she call me?

1304
01:35:33,520 --> 01:35:34,849
Jealous.

1305
01:35:36,140 --> 01:35:37,729
Did you ever see so much junk?

1306
01:35:37,810 --> 01:35:40,439
She had the ceiling
brought from Portugal.

1307
01:35:40,520 --> 01:35:42,319
And look at this.

1308
01:35:44,990 --> 01:35:46,949
Her own movie theatre.

1309
01:35:47,360 --> 01:35:51,119
I didn't come here to see a house!
What about Norma Desmond?

1310
01:35:52,740 --> 01:35:56,999
That's what I'm trying to tell you.
This is an enormous place.

1311
01:35:57,670 --> 01:36:02,039
Eight master bedrooms.
A sunken tub in every bathroom.

1312
01:36:02,540 --> 01:36:05,209
There's a bowling alley in the cellar.

1313
01:36:07,760 --> 01:36:10,929
It's lonely here,
so she got herself a companion.

1314
01:36:12,300 --> 01:36:16,269
A very simple setup.
An older woman who is well-to-do.

1315
01:36:18,230 --> 01:36:21,979
A younger man
who's not doing too well.

1316
01:36:22,060 --> 01:36:24,689
- Can you figure it out yourself?
- No.

1317
01:36:25,230 --> 01:36:30,359
- All right. I'll give you a few more clues.
- No! I haven't heard any of this.

1318
01:36:31,160 --> 01:36:35,489
I never got those telephone calls
and I've never been in this house!

1319
01:36:35,580 --> 01:36:38,869
Now, get your things together
and let's get out of here.

1320
01:36:39,830 --> 01:36:44,379
All my things? All my 18 suits,
all my custom-made shoes

1321
01:36:44,500 --> 01:36:46,259
and the six dozen shirts
and the cuff links

1322
01:36:46,340 --> 01:36:49,719
and the platinum key chains
and the cigarette cases?

1323
01:36:50,470 --> 01:36:51,929
Come on, Joe.

1324
01:36:53,100 --> 01:36:54,299
[ SIGHING ] Come on where?

1325
01:36:54,390 --> 01:36:57,099
Back to a one-room apartment
I can't pay for?

1326
01:36:57,560 --> 01:37:00,769
Back to a story that may sell
and very possibly will not?

1327
01:37:00,850 --> 01:37:02,729
If you love me, Joe.

1328
01:37:03,770 --> 01:37:07,229
Look, sweetie, be practical.
I've got a good deal here.

1329
01:37:07,400 --> 01:37:11,069
A long-term contract with no options.
I like it that way.

1330
01:37:12,610 --> 01:37:16,199
Maybe it's not very admirable.

1331
01:37:17,290 --> 01:37:20,659
Well, you and Artie can be admirable.

1332
01:37:23,830 --> 01:37:26,549
I can't look at you any more, Joe.

1333
01:37:28,760 --> 01:37:30,129
[ SNIFFLES ]

1334
01:37:30,420 --> 01:37:34,259
How about looking for the exit?
This way, Betty.

1335
01:37:50,190 --> 01:37:54,909
Good luck to you, Betty. You can finish
that script on the way to Arizona.

1336
01:37:57,120 --> 01:37:58,369
When you and Artie get back,

1337
01:37:58,450 --> 01:38:01,659
if the two of you
ever feel like taking a swim,

1338
01:38:02,790 --> 01:38:04,369
here's the pool.

1339
01:38:49,130 --> 01:38:51,839
Thank you, darling. Thank you, Joe.

1340
01:38:54,010 --> 01:38:55,179
Jew.

1341
01:39:20,620 --> 01:39:24,039
May I come in, Joe? I've stopped crying.

1342
01:39:24,410 --> 01:39:28,129
I'm all right again.
Joe, tell me you're not cross.

1343
01:39:28,330 --> 01:39:31,209
Tell me everything is just as it was, Joe.

1344
01:39:34,460 --> 01:39:35,549
Jew.

1345
01:39:39,180 --> 01:39:41,219
What are you doing, Joe?

1346
01:39:47,190 --> 01:39:49,729
- What are you doing?
- I'm packing.

1347
01:39:53,230 --> 01:39:55,859
- You're leaving me!
- Yes, I am, Norma.

1348
01:39:56,900 --> 01:39:59,659
No, you're not! Max! Max!

1349
01:40:00,740 --> 01:40:03,159
Thanks for letting me
wear the handsome wardrobe.

1350
01:40:03,240 --> 01:40:06,289
And thanks for the use
of all the trinkets.

1351
01:40:08,919 --> 01:40:10,679
The rest of the jewelry
is in the top drawer.

1352
01:40:10,700 --> 01:40:13,619
- It's yours, Joe. I gave it to you.
- And I'd take it in a second,

1353
01:40:13,700 --> 01:40:17,129
only it's a little too dressy for sitting
behind a copy desk in Dayton, Ohio.

1354
01:40:17,220 --> 01:40:19,549
These are nothing!
You can have anything you want.

1355
01:40:19,640 --> 01:40:23,639
What is it you want? Money?

1356
01:40:24,770 --> 01:40:29,059
Norma, you'd be throwing it away.
I don't qualify for the job, not any more.

1357
01:40:29,140 --> 01:40:34,269
You can't go! Max! Max!
[ CRYING ] I can't face life without you.

1358
01:40:36,780 --> 01:40:39,109
And you know I'm not afraid to die!

1359
01:40:39,200 --> 01:40:40,949
That's between you and yourself.

1360
01:40:41,030 --> 01:40:44,869
You think I made that up about the gun,
don't you? All right.

1361
01:40:54,000 --> 01:40:56,759
See, you didn't believe me!

1362
01:40:56,839 --> 01:40:58,799
Now, I suppose
you don't think I have the courage!

1363
01:40:58,820 --> 01:41:00,380
Oh, sure,
if it would make a good scene.

1364
01:41:00,470 --> 01:41:01,589
You don't care, do you?

1365
01:41:01,680 --> 01:41:03,719
Well, hundreds of thousands
of people will care.

1366
01:41:03,800 --> 01:41:06,429
Oh, wake up, Norma. You'd be killing
yourself to an empty house.

1367
01:41:06,520 --> 01:41:08,280
The audience left 20 years ago.
Now, face it!

1368
01:41:08,310 --> 01:41:11,399
- That's a lie! They still want me.
- No, they don't!

1369
01:41:12,229 --> 01:41:13,869
What about the studio?
What about DeMille?

1370
01:41:13,890 --> 01:41:17,989
He was trying to spare your feelings.
The studio only wanted to rent your oar.

1371
01:41:18,110 --> 01:41:20,699
- Wanted what?
- DeMille didn't have the heart to tell you.

1372
01:41:20,780 --> 01:41:22,569
None of us has had the heart.

1373
01:41:22,660 --> 01:41:26,619
That's a lie! They want me.
I get letters every day.

1374
01:41:28,410 --> 01:41:31,669
You tell her, Max.
Come on, do her that favour!

1375
01:41:31,750 --> 01:41:33,510
Tell her
there isn't going to be any picture!

1376
01:41:33,580 --> 01:41:36,379
There aren't any fan letters
except the ones you write!

1377
01:41:36,460 --> 01:41:39,879
That isn't true! Max!

1378
01:41:39,970 --> 01:41:42,719
Madame is the greatest star of them all.

1379
01:41:43,930 --> 01:41:47,009
I will take Mr. Gillis' bags to the car.

1380
01:41:53,310 --> 01:41:56,689
You heard him. I'm a star!

1381
01:41:57,690 --> 01:42:00,569
Norma, you're a woman of 50.
Now, grow up!

1382
01:42:00,650 --> 01:42:05,369
There's nothing tragic about being 50,
not unless you try to be 25.

1383
01:42:05,450 --> 01:42:07,869
I'm the greatest star of them all.

1384
01:42:14,250 --> 01:42:15,829
Goodbye, Norma.

1385
01:42:18,210 --> 01:42:20,589
[ WHISPERING ] No one
ever leaves a star.

1386
01:42:20,670 --> 01:42:22,589
That's what makes one a star.

1387
01:42:29,850 --> 01:42:32,559
Joe! Joe!

1388
01:42:34,730 --> 01:42:35,849
Joe!

1389
01:42:42,190 --> 01:42:43,279
Joe!

1390
01:42:48,030 --> 01:42:49,449
[ GUN FIRING ]

1391
01:43:17,350 --> 01:43:20,939
Stars are ageless, aren't they?

1392
01:43:28,530 --> 01:43:33,539
[ GILLIS ] Well, this is where you came in.
Back at that pool again,

1393
01:43:34,540 --> 01:43:37,169
the one I always wanted.

1394
01:43:37,250 --> 01:43:41,129
It's dawn now, and they must have
photographed me a thousand times.

1395
01:43:41,670 --> 01:43:45,629
Then they got a couple of pruning hooks
from the garden and fished me out,

1396
01:43:45,720 --> 01:43:47,299
ever so gently.

1397
01:43:48,220 --> 01:43:51,599
Funny how gentle people get with you
once you're dead.

1398
01:43:53,310 --> 01:43:56,559
They beached me
like a harpooned baby whale

1399
01:43:56,640 --> 01:44:00,649
and started to check the damage,
just for the record.

1400
01:44:03,150 --> 01:44:05,529
By this time,
the whole joint was jumping.

1401
01:44:05,610 --> 01:44:08,359
Cops, reporters, neighbours, passers-by,

1402
01:44:08,660 --> 01:44:10,659
as much whoop-de-doo
as we get in Los Angeles

1403
01:44:10,740 --> 01:44:12,579
when they open a supermarket.

1404
01:44:12,660 --> 01:44:15,409
Even the newsreel guys came
roaring in.

1405
01:44:15,500 --> 01:44:18,079
Here was an item
everybody could have some fun with.

1406
01:44:18,170 --> 01:44:19,879
[ INDISTINCT CHATTERING ]

1407
01:44:19,960 --> 01:44:21,999
The heartless so-and-sos!

1408
01:44:23,500 --> 01:44:25,589
What would they do to Norma?

1409
01:44:25,670 --> 01:44:30,509
Even if she got away with it in court,
crime of passion, temporary insanity,

1410
01:44:31,340 --> 01:44:34,139
those headlines would kill her.

1411
01:44:34,220 --> 01:44:37,179
"Forgotten Star a Slayer."

1412
01:44:37,270 --> 01:44:41,399
"Aging Actress,
Yesterday's Glamour Queen."

1413
01:44:52,370 --> 01:44:56,659
Coroner's office?
I want to speak to the Coroner.

1414
01:44:57,790 --> 01:45:00,169
- Who's on this phone?
- I am!

1415
01:45:00,250 --> 01:45:02,999
Now get off! This is more important.

1416
01:45:03,080 --> 01:45:05,209
Times City Desk?
Hedda Hopper speaking.

1417
01:45:05,300 --> 01:45:07,669
I'm talking from the bedroom
of Norma Desmond.

1418
01:45:07,760 --> 01:45:11,639
Don't bother with a re-write, man.
Take it direct. Ready?

1419
01:45:11,720 --> 01:45:13,639
"As day breaks over the murder house,."

1420
01:45:13,720 --> 01:45:16,099
"Norma Desmond,
famous star of yesteryear,"

1421
01:45:16,180 --> 01:45:19,139
"is in a state of complete mental shock."

1422
01:45:19,230 --> 01:45:20,869
"A curtain of silence seems
to have fallen around her..."

1423
01:45:20,890 --> 01:45:22,499
[ CAPTAIN ] You don't deny having
killed this man, Miss Desmond?

1424
01:45:22,520 --> 01:45:23,836
"She sits in the silken boudoir
of her house..."

1425
01:45:23,860 --> 01:45:25,069
Just answer me that!

1426
01:45:25,150 --> 01:45:26,979
Was it a sudden quarrel?

1427
01:45:27,070 --> 01:45:29,989
Had you ever had any trouble
between you before?

1428
01:45:30,070 --> 01:45:33,239
If it was a quarrel,
how come this gun was right there?

1429
01:45:33,320 --> 01:45:36,579
This guy, where did you meet him
for the first time?

1430
01:45:36,660 --> 01:45:38,499
Where did he come from? Who is he?

1431
01:45:38,580 --> 01:45:42,669
Did you hate him? Had you ever thought
of doing something like this before?

1432
01:45:42,750 --> 01:45:45,839
Was theft involved? Did you catch him
trying to steal something?

1433
01:45:45,920 --> 01:45:47,709
Or find he had stolen something?

1434
01:45:47,800 --> 01:45:49,549
The newsreel men are here
with the cameras.

1435
01:45:49,630 --> 01:45:53,639
DETECTIVE: Tell them to go fly a kite!
This is no time for cameras.

1436
01:45:53,720 --> 01:45:57,259
Now, Miss Desmond, is there anything
you want to tell us?

1437
01:45:58,890 --> 01:46:00,179
Cameras?

1438
01:46:03,020 --> 01:46:04,689
What is it, Max?

1439
01:46:09,150 --> 01:46:11,899
- The cameras have arrived.
- They have?

1440
01:46:12,990 --> 01:46:15,909
Tell Mr. DeMille
I'll be on the set at once.

1441
01:46:16,320 --> 01:46:17,869
What is this?

1442
01:46:22,330 --> 01:46:24,539
Well, it's one way to get her downstairs.

1443
01:46:24,620 --> 01:46:25,879
Mmm-hmm.

1444
01:46:26,540 --> 01:46:31,299
Let's have the car right outside. Okay.

1445
01:46:33,050 --> 01:46:36,389
- Everything will be ready, Madame.
- Thank you, Max.

1446
01:46:37,300 --> 01:46:41,219
You'll pardon me, gentlemen,
but I must get ready for my scene.

1447
01:46:43,140 --> 01:46:45,540
[ MAN 1 ] What's happening up there?
[ WOMAN ] Any statement?

1448
01:46:45,564 --> 01:46:47,753
- [ MAN 2 ] Why did she do it?
- Ls there a confession?

1449
01:46:48,110 --> 01:46:50,979
- Everything set up, gentlemen?
- Just about.

1450
01:46:51,110 --> 01:46:53,319
- Lights ready?
- All set.

1451
01:47:05,830 --> 01:47:06,830
[ OFFICER ] Okay, fellas.

1452
01:47:06,880 --> 01:47:09,169
[ REPORTERS CLAMORING ]

1453
01:47:11,500 --> 01:47:13,629
[ MAX ] Quiet, everybody!

1454
01:47:16,380 --> 01:47:17,639
Lights!

1455
01:47:22,350 --> 01:47:24,559
Are you ready, Norma?

1456
01:47:26,390 --> 01:47:30,359
What is the scene? Where am I?

1457
01:47:33,490 --> 01:47:36,909
This is the staircase of the palace!

1458
01:47:38,370 --> 01:47:41,199
Oh, yes, yes...

1459
01:47:42,040 --> 01:47:44,999
Down below, they're waiting
for the princess.

1460
01:47:47,870 --> 01:47:49,419
I'm ready.

1461
01:47:50,210 --> 01:47:54,049
All right. Cameras! Action!

1462
01:47:57,510 --> 01:48:01,219
[ GILLIS ] So they were turning after all,
those cameras.

1463
01:48:03,060 --> 01:48:08,269
Life, which can be strangely merciful,
had taken pity on Norma Desmond.

1464
01:48:09,810 --> 01:48:15,069
The dream she had clung to
so desperately had enfolded her.

1465
01:48:43,640 --> 01:48:46,769
I can't go on with the scene.
I'm too happy!

1466
01:48:48,270 --> 01:48:52,149
Mr. DeMille, would you mind
if I say a few words? Thank you.

1467
01:48:53,150 --> 01:48:55,979
I just want to tell you all how happy
I am to be back in the studio,

1468
01:48:56,070 --> 01:48:58,359
making a picture again!

1469
01:48:58,450 --> 01:49:01,819
You don't know
how much I've missed all of you.

1470
01:49:01,910 --> 01:49:04,579
And I promise you,
I'll never desert you again!

1471
01:49:04,660 --> 01:49:08,999
Because after Salome, we'll make
another picture and another picture!

1472
01:49:09,330 --> 01:49:12,999
You see, this is my life!
It always will be!

1473
01:49:13,630 --> 01:49:18,299
There's nothing else.
Just us and the cameras

1474
01:49:19,420 --> 01:49:24,099
and those wonderful people
out there in the dark.

1475
01:49:25,560 --> 01:49:28,769
All right, Mr. DeMille,
I'm ready for my close-up.

